布拉姆斯三首小提琴奏鳴曲之研究與詮釋探討

Abstract

十九世紀浪漫樂派作曲家約翰尼斯．布拉姆斯 (Johannes Brahms, 1833-1897)，被譽為「德國三B」之一，與約翰．瑟巴斯提安．巴赫 (Johann Sebastian Bach, 1685-1750) 和路特威希．封．貝多芬 (Ludwig van Beethoven, 1770-1827) 並陳，為德國音樂鮮明的表徵。布拉姆斯是絕對音樂的擁護者與實踐者，音樂形式與風格崇尚莊重的古典樂派，堅守客觀保守的古典主義精神與絕對音樂的立場，是浪漫樂派保守勢力中的最後復古者。本論文分為第一章：緒論、第二章：布拉姆斯之生平與作品概述、第三章：《G大調第一號小提琴奏鳴曲》之創作分析與詮釋、第四章：《A大調第二號小提琴奏鳴曲》之創作分析與詮釋、第五章：《d小調第三號小提琴奏鳴曲》之創作分析與詮釋、第六章：三首小提琴奏鳴曲之整合探討、第七章：結論，等七章來進行研究探討；先以布拉姆斯的生平與作品概述作為開端，並探究其音樂特色。接著針對三首小提琴奏鳴曲作樂曲結構分析，再依個人觀點論述其詮釋方式。最後，將上述研究內容進行總整理，歸納出個人結論與心得。Johannes Brahms (1833-1897), one of nineteenth century’s most famous Romantic composers, is known as a member of “The Three Bs”, with Johann Sebastian Bach (1685-1750) and Ludwig van Beethoven (1770-1827), which represents German music distinctively. As the last defender of conservative music in Romanticism, Brahms stands for classicism and absolute music.This thesis will include three violin sonatas composed by Brahms for analysis and interpretation. It is comprised of seven chapters; Chapter 1: Introduction, Chapter 2: Life and works of Brahms, Chapter 3: The analysis and interpretation of “Violin Sonata No. 1 in G Major”, Chapter 4: The analysis and interpretation of “Violin Sonata No. 2 in A Major”, Chapter 5: The analysis and interpretation of “Violin Sonata No. 3 in d Minor”, Chapter 6: Comprehensive discussion of three violin sonatas, and Chapter 7: Conclusion.Finally, the research contents mentioned above will be collected and summarized with a personal conclusion.