以文化公共領域探討台灣國際酷兒影展之研究 Research on Taiwan International Queer Film Festival – From the Perspective of Cultural Public Sphere

dc.contributor 劉立行 zh_TW
dc.contributor Liu, Li-Hsing en_US
dc.contributor.author 丁芝婷 zh_TW
dc.contributor.author Ting, Chih-Ting en_US
dc.date.accessioned 2022-06-08T02:45:32Z
dc.date.available 2022-01-31
dc.date.available 2022-06-08T02:45:32Z
dc.date.issued 2021
dc.description.abstract 本研究旨在探討台灣網路媒體對於台灣國際酷兒影展(TIQFF)與其播映的酷兒電影之討論。本研究以內容分析和主題分析法,蒐集2014年至2019年共六年間的官網和三家台灣網路論壇《女人迷》、《GagaTai嘎嘎台》和《LalaTai拉拉台》對TIQFF和酷兒電影的相關文章,探討其對於TIQFF和酷兒電影的討論以及呈現方式。本研究發現:一、自2015年開始於網路上出現TIQFF與酷兒電影的內容,並以1000字以上的篇幅為主。二、書寫台灣國際酷兒影展與電影多以男同性戀(Gay)電影為主。三、媒體討論酷兒電影時的主要主題分別有主題劇情、延伸討論、電影編導、上映時間、電影演員、電影類型和得獎肯定。四、媒體討論台灣國際酷兒影展時則著重於宣傳影展、理念和代言上,並透過代言人、導演等人分享自身經驗以呼應影展理念,使得閱聽眾在參與過程或是閱讀後能了解他們的想法,進而引發自身的思辨,再與他人討論,形成一文化公共領域。 zh_TW
dc.description.abstract The purpose of this research is to explore the discussion of the Taiwan International Queer Film Festival (TIQFF) and the queer films in Taiwan’s online media. In particular, the study intends to scrutinize the various facets of content to find out the different ways of presentation of the articals toward TIQFF and queer films in online media. In terms of research design, to study the online text database of the TIQFF’s official websites and the three forums in Taiwan – Womany, GagaTai and LalaTai – as the main sources for data-gathering. Text contents regarding TIQFF and queer films within the six-year time span (2014-2019) were collected, and a sample of 209 text segments was randomly selected for conducting content analysis. The content analysis and the thematic analysis have several significant findings. First of all, the study found that the content of TIQFF and queer movies has appeared on the Internet since 2015, and the content was mainly more than 1,000 words. Secondly, the results indicated that the articles mainly focused on gay movies. Furthermore, the main themes of the media when discussing queer movies were theme, discussion, movie directors, premier, movie actors, movie genres and awards. Lastly, when the media discussed about the Taiwan International Queer Film Festival, they focused on the promotion of the film festival, concept and endorsement, and through the sharing of their own experiences by spokespersons, directors, etc., to echo the concept of the film festival, so that the audience can understand them after participating in the process or reading. Ideas conversely trigger their own speculations, and then discussions with others, forming a cultural public sphere. en_US
dc.description.sponsorship 圖文傳播學系 zh_TW
dc.identifier 60772008H-39840
dc.identifier.uri https://etds.lib.ntnu.edu.tw/thesis/detail/931bd479f3b3a1d66306c473a1bc5cf0/
dc.identifier.uri http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117443
dc.language 中文
dc.subject 酷兒影展 zh_TW
dc.subject 酷兒電影 zh_TW
dc.subject 文化公共領域 zh_TW
dc.subject Queer film festival en_US
dc.subject Queer cinema en_US
dc.subject Cultural Public Sphere en_US
dc.title 以文化公共領域探討台灣國際酷兒影展之研究 zh_TW
dc.title Research on Taiwan International Queer Film Festival – From the Perspective of Cultural Public Sphere en_US
dc.type 學術論文
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