空間沉浸式互動裝置藝術中的敘事性與身體感

Abstract

近來，沉浸體驗成為藝術創作的趨勢之一，創作者融入科技，打造沉浸式場域，為觀者帶來更深入的體驗，涉及空間情境營造與人機介面間互動的「空間沉浸式互動裝置藝術」亦是備受關注的對象。空間情境及互動體驗指向互動敘事與感知經驗，本研究試圖揭示於空間沉浸式互動裝置藝術中，身體感與敘事性各自的重要性，及兩者間如何於體驗過程中產生交織關係，進而加強沉浸感的營造。透過次級資料分析與個案研究，本研究以2006年至2021年間曾於臺北數位藝術節及K.T.科技藝術獎獲獎或展出的作品出發，藉由持續追蹤藝術家作品，選取同時具身體包覆性與人機互動的八件空間沉浸式互動裝置藝術作品，作為主要分析對象，並將討論焦點置於作品的敘事性與體現的身體感知，乃至於兩者間的連結。本研究發現，藉由空間或物件對身體的包覆，以及產生的情境氛圍，沉浸體驗得以被打造，而敘事性則能營造情境，成為使觀者對作品產生浸入感的條件之一。並且，人機互動作為空間與身體之間中介，觀者於空間中體驗時，將具備「空間－互動－身體」關係，藉由敘事性，觀者於參與空間之時，身體感被喚起。於空間沉浸式互動裝置藝術，如何以敘事召喚身體感知，使觀者身體能與空間交織，將是產製沉浸體驗的關鍵。Recently, “immersion” has become one of the trends in artistic creation. Creators create immersive spaces through technology, and provide participants with a deeper experience. “The spatial－immersive interactive installation work of art” involves the creation of spatial atmosphere and the process of human-computer interface, and has attracted much attention. Spatial atmosphere and interactive experience point to interactive narrativity and perceptual experience. Therefore, this thesis aims to discuss the importance of body perception and narrativity in spatial-immersive interactive installation works of art. Also, this thesis focuses on how the two mentioned above are intertwined in the process of experience, and thereby enhancing the experiences of immersion.Through secondary data analysis and case study methods, this thesis starts from the artworks that have won or exhibited at the “Digital Art Festival Taipei” and the “K.T. Creativity Award” from 2006 to 2021 at first. On the basis of these artworks, this thesis has selected eight artworks that contained the participants’ body being enveloped by physical space and the process of human-computer interface at the same time by tracking these artists’ works. Hence, these works have been to the main objects of analysis, and the discussion has focused on the narrativity and body perception, and even the link between the two.This thesis reveals that the immersive experience is created through the envelopment of the body by the space or objects, and the situational atmosphere generated. Furthermore, the narrative can create the situation, which becomes one of the conditions for the participants to immerse themselves in the works. Moreover, as the mediator between space and body, the process of human-computer interface can bring out the “spatial-interaction-body” relationship. And participants’ body perceptions are evoked through the narrativity while experiencing the artworks. To summarize, in spatial－immersive interactive installation works of art, how to summon the body perception through narrativity, and further enable the participants’ body to interweave with space, will be the key to producing immersive experiences.