繁花似錦 — 游秉國水墨創作論述
Abstract
國人藝術呈現民族的傳統思想，筆者經由對於中國美術史和歷代大家畫作的探究，了解到花鳥畫的文化意涵和國人對自然美的追求。筆者藉由此次研究作為自我創作的泉源，進而洞察出花卉繪畫的佈局和華人在美術創作立論的相關性，然後演變成自我創作的嘗試和創新。
筆者在第一章緒論中闡述筆者研究動機及目的，將本文的創作方向做歸納。第二章關於花鳥畫中自然的親密性和我國的文化歷史演變加以探究；從史料、畫派和風格的了解，加深自我創作內涵。第三章分析筆者作品；探索繪畫表現的技法運用和視覺呈現方式。第四章個人作品分析，說明創作理念、內涵與形式分析。並對作品深入的剖析。第五章結論；整理歸納個人創作之理念並期許自己能在創作上有所精進。
《古畫品錄》論顧愷之的畫說及「格體精微，筆無妄下」因此筆者此次的創作過程中希望能由以古潤今的方式，由繪畫的根本─寫生概念，藉筆墨的運用，表達自我創作的思緒和個人的風格。
The artist gained his inspiration though researching the masterpieces in the Chinese art history. In order to express the cultural meaning of flower and bird painting and to seek the beauty of Nature, the artist uses it as the origin of his art creation and attempts to create his own new style, through the research of composition and experiments of brush techniques. In the first chapter, the artist describes his motivation of research and his goal to point out artist’s direction of his artistic practice. In the second chapter, the artist researches the development of Chinese flower and bird painting in its cultural historical context, through the analysis of style in depth to enrich the content of artist’s creation. In the third chapter, the artist analyzes his own art creation from the perspectives of the expression of the brushworks and visual presentation that created. In the forth chapter, the artist elaborates his ideas of creation, form and content of his works. The fifth chapter is the conclusion.
The artist gained his inspiration though researching the masterpieces in the Chinese art history. In order to express the cultural meaning of flower and bird painting and to seek the beauty of Nature, the artist uses it as the origin of his art creation and attempts to create his own new style, through the research of composition and experiments of brush techniques. In the first chapter, the artist describes his motivation of research and his goal to point out artist’s direction of his artistic practice. In the second chapter, the artist researches the development of Chinese flower and bird painting in its cultural historical context, through the analysis of style in depth to enrich the content of artist’s creation. In the third chapter, the artist analyzes his own art creation from the perspectives of the expression of the brushworks and visual presentation that created. In the forth chapter, the artist elaborates his ideas of creation, form and content of his works. The fifth chapter is the conclusion.
Description
Keywords
花鳥, 工筆, 墨拓, Flower and bird, fine line, ink rubbing technique