從本土素材的應用概念探討李和莆的鹿港八景音樂創作美學觀

Abstract

台灣近年來的藝術創作走向「台灣風格」，本土的文化素材被高度的重視。在音樂創作上也走向作品中加入本國文化元素。作曲家李和莆教授出生於1967 年，從就讀國立台灣師範大學時期就開始嘗試著不同風格的創作，1999年自美國波士頓大學取得音樂藝術博士學位歸國後，積極在台灣本土音樂中耕耘，所創作作品涵概了各種不同型式的編制，包括管絃樂作品、室內樂、鋼琴曲、合唱曲、舞台劇配樂、結合科技之跨領域音樂作品等。李和莆教授至今仍然定期舉辦作品發表，作品相當豐富，為國內重要的本土音樂作曲家之一。 本篇論文主要是探討本土作曲家李和莆教授的作品《鹿港八景》，並分析其作品型態、創作理念與美學觀點，以及受到了台灣傳統文化影響下的創作觀。李和莆博士不僅僅是堅持著自己本身的文化，也試圖將音樂的創作帶入音樂的教育中，將台灣音樂之美結合了音樂上的專業技術，讓下一代的音樂創作人更深的感受到自己文化傳統的重要性，並發揚光大台灣的本土音樂。Taiwan recent year’s artistic creation started a new trend, a “Taiwanese style”. The native cultural source material value has raise as well. Music has also moved forward to join our country culture element. The composer, Dr. Wen-Pin Hope Lee was born in 1967. He started his variety style of composition since he was in the National Taiwan Normal University. After he earned his D.M.A degree in Music Art from Boston University in January 1999, he returned to Taiwan and worked very constructive in creating music. His works comprise a variety of genres, including orchestral music, chamber music, piano music, chorus, theatre, multimedia performance art, and so on. Even now he still regularly conducted the work publication. The number of his composition is fruitful; besides, he is also one of the important native composers in Taiwan. The thesis of this article is aimed to examine compositions of the native composer, Dr. Wen-Pin Hope Lee’s music piece “My Hometown In Our Homeland, A Music Series of Lu Gang”, and analyze his style, creating idea, aesthetic point of view, and also the influence of traditional Taiwanese culture in his concept of creative composing. Dr. Lee is not only persevering in his native culture, but he also attempts to integrate music creation to the education of music, thus expanding the beauty of Taiwanese music to the world of music. This let the next generation to feel and appreciate their cultural music and its importance, hoping to further introduce Taiwanese music to the rest of the world.