論音樂劇《忘川》之女角詮釋

Abstract

此書面報告為赭月製作獨角音樂劇《忘川》之女角的角色分析及探討。筆者將報告分為六個章節來書寫：第一章緒論主要說明研究之動機及目的、研究架構和理念；第二章為作品原作背景的分析，包括製作團隊、和創作者介紹以及作品的製作歷程。第三章為文本分析，除了分析文本架構，同時也探討編劇之手法，並聚焦在文本所觸及的議題，包含自我認同、情感與理想以及角色內心時空的交錯，最後則講述筆者改作的段落並說明緣由及動機。第四章是角色分析，此章分為四小節，第一小節以角色事實列表進行報告，再來是針對原作的角色背景做延伸，透過個人的詮釋設計加以改作。由於一人飾演多角，筆者也將報告角色的轉換與設計，第四小節為舞蹈詮釋。第五章為《忘川》演場歌曲之詮釋，以故事情節的背景發展分析唱歌的動機、潛台詞和演繹，其中挑選六首曲目作為詮釋分析：〈陰曹地府〉、〈九百九十年九年又三百零五天〉、〈想飛的魚〉、〈追夢人〉、〈選擇〉及〈意義〉Fish版，其中〈追夢人〉為筆者自己改作後新增的曲目。第六章為總結，論述本書面報告的結論，並在期許自己能在作為演員的詮釋，有不同的歷練及成長。This written report analyzes the female character in the solo musical"Still Waters" produced by Crimson Moon Production. It is structured into six chapters. Chapter one introduces the motivation, purpose, and research framework. Chapter two explores the background of the original work, including the production team, creators, and development process. Chapter three presents a text analysis, examining the playwright’s techniques and themes such as self-identity, emotional conflict, and the interplay of inner time and space. It also discusses the author’s adaptations and the reasons behind them. Chapter four focuses on character analysis, including factual details, extended character background, multi-role transitions by a solo performer, and interpretation through movement. Chapter five analyzes six songs and focusing on motivation, subtext, and performance context. Chapter six concludes with key findings and reflects on the author’s growth as a performer through this interpretive journey.