鍾耀光二胡協奏曲《華麗幻想曲》樂曲分析與詮釋

Abstract

鍾耀光的《華麗幻想曲》，是為台北市立國樂團與閆國威所創作，作曲家利用台北101大樓的建築理念，套用在曲目段落上，也運用質數原理來作為音高的動機，因此，激發了筆者想研究此作品的興趣。再者，鍾耀光是一位創作大量作品並且涵蓋中西樂的作曲家，筆者也想利用這次機會，與鍾耀光討論現今台灣在音樂上的發展趨勢。 本文中，文獻探討分為四個部分，分別為：《華麗幻想曲》首演時節目單內容、作曲家背景相關論文、《華麗幻想曲》創作手法、《華麗幻想曲》相關研究論文。筆者在撰寫詮釋的部分，也訪談幾位演奏家，將他們的想法與演奏建議，撰寫在本文中，以完成本研究。 經過筆者深入研究後，筆者將此作品一些較困難的演奏片段與解決方法列出，供日後欲演奏的演奏家們，有一個參考對象。但這些問題，並不全然因為序列音樂的創作手法而產生，只是筆者將問題歸納，並尋求方式解決，未來更多作曲家的想法加進創作後，二胡的演奏技術會更加成熟、更全面。筆者期盼，作為二胡演奏教育者，能為這個領域有所貢獻。Yiu-Kwong Chung’s Fantaisie Brillante is composed with Guo-Wei Yen and Taipei Chinese Orchestra. Composers not only borrowed the concept of constructing Taipei 101 Building for each piece of music, but also using Prime Theory as his motivation. These elements inspire the author to do further research about Fantaisie Brillante. Furthermore, Yiu-Kwong Chung is one of the greatest composers in the history of both Eastern and Western music. It’s a great honor for the author to gain an opportunity to discuss the current tendency towards the development of Taiwanese music. This essay will divide into 4 parts. Firstly, this paper is going to confer with the content of Fantaisie Brillante’s first playlist. Secondly is to engage with the composer’s background. Following by that is the compose methods of Fantaisie Brillante. Lastly is about relevant papers of Fantaisie Brillante. The author has completed this research by using four different kinds of research methods. They are collecting information, interview method, AV observation method, and musical analysis. After doing some researches, the author listed out some difficult parts of performing Fantaisie Brillante and its solution. The purpose of doing it is to provide a reference for other performers. However, some of these issues aren’t merely caused by composing serial music. The author would love to dig out the solutions in order to answer the question which has been generalized. Meanwhile, working with different composers will spark different compositions. Composers’ job is to merge these new creative ideas with their Erhu’s performance technics in order to become a mature musician. Being part of Erhu’s educational performer, the author is looking forward to contributing herself to this area.