德布西《被遺忘的短歌》與《優雅慶典第一冊》之分析與詮釋

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2023

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德布西 (Achille-Claude Debussy, 1862-1918) 於法文藝術歌曲 (mélodie) 的創作地位獨樹一格,詩人魏爾倫 (Paul Verlaine, 1844-1896) 亦為法國十九世紀文學中跨越了巴拿斯派(又稱高蹈派) (Parnassiens) 與象徵主義 (Symbolism) 的詩人,其詩作豐富的音樂性以及細膩捕捉瞬間的特色吸引了德布西,也因此德布西許多法文藝術歌曲的靈感都出自其詩詞作品。本論文述說之作品皆為德布西選用魏爾倫之詞之作品,為《被遺忘的短歌》(Ariettes oubliées, 1903) 以及《優雅慶典第一冊》(Fêtes galantes, set 1, 1891) ,全文以六個章節論述,分別為緒論、作曲家德布西、詩人魏爾倫、《被遺忘的短歌》六首歌曲之樂曲分析及詮釋、《優雅慶典第一冊》三首歌曲之樂曲分析及詮釋與結語。
Achille-Claude Debussy (1862-1918) had a unique position in composing mélodie. The poet Paul Verlaine (1844-1896) also crossed the Parnasse and the symbolical poetry school of French literature in nineteenth century. Plentiful musicality and delicate characteristics of capturing moments in his poems attracted Debussy. As a result, many of Debussy's mélodie were composed with his poetry. The pieces in this thesis are all select and use from which Debussy using Verlaine's words, that is Ariettes oubliées and Fêtes galantes, set 1. The whole thesis is divided into six chapter: Introduction, composer Debussy, poet Verlaine, music analysis and interpretation of the six songs of Ariettes oubliées, music analysis and interpretation of the three songs of Fêtes galantes, set 1 and conclusion.

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德布西, 魏爾倫, 《被遺忘的短歌》, 《優雅慶典》, 法文藝術歌曲, Debussy, Verlaine, Ariettes oubliées, Fêtes galantes, set 1, mélodie

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