譚盾鋼琴作品《八幅水彩畫的回憶》之音樂分析與詮釋

Abstract

譚盾（Tan Dun, 1957– ）的音樂創作同時具有東方與西方、傳統與現代、內斂與奔放等獨特之處。本論文研究主題為他的鋼琴作品《八幅水彩畫的回憶》（Eight memories in watercolor），由五個方向深入探討與統整。首先，在第一章說明研究動機、目的、範圍與方法；第二章對於作曲家的生平背景探討，並自學習與創作歷程中瞭解作曲家的創作緣由；第三章為音樂與水彩畫的結合，以不同的創作手法呈現出視覺上豐富的效果；第四章則對於《八幅水彩畫的回憶》進行曲式架構、和聲、節奏與旋律進行深入分析；第五章在演奏詮釋上，將彈奏技巧的方法與樂曲意境的表達，做整體性的呈現；第六章為本篇論文的總結，將本篇論述之內容歸納整理出個人的觀點。

The unique of Tan Dun's musical work is full of various characteristics, which showed Orient and Occident, tradition and modern, reserved and enthusiasm in parallel. The research topic of this thesis focused on his piano work,《Eight Memories in Watercolor》, and it was analyzed and organized in five chapters. First of all, chapter one is the motivation, purpose, scope and methods of the research. In chapter two, to realize musician's background and explain the reason of the work from both the learning experience and the compiling journey. In chapter three, abundant visual effects combined by music and watercolor were presented with various composition approaches. In chapter four, the structure, harmony, rhythm and melody of 《Eight Memories in Watercolor》were all analyzed in depth. In chapter five, the playing skills and artistic conception were presented. Chapter six is the conclusion and my point of view which were summed up from the all contents of this thesis.