應用鹿港地方文化圖像符號於視覺設計創作之研究
| dc.contributor | 張柏舟 | zh_TW |
| dc.contributor.author | 楊祝菁 | zh_TW |
| dc.date.accessioned | 2019-09-05T03:39:43Z | |
| dc.date.available | 2004-8-27 | |
| dc.date.available | 2019-09-05T03:39:43Z | |
| dc.date.issued | 2004 | |
| dc.description.abstract | 地方文化的思潮，是對本土文化認同感的追尋，對於設計活動深入民 間生活的現代社會而言，除認同當地文化之餘，也要藉由不同的角度及層 面來思考不同的問題。本論文將以鹿港地方文化為題，希冀藉由視覺創作 的實踐，期能提振鹿港地方文化之保存與發展。 本研究針對鹿港地方文化所發展之特色進行研究，主要研究的目標可 分為下列幾點：一、探究鹿港地方習俗與歷史、地方文化資產等，以了解 其地方特色，進而歸納出具有鹿港意象之代表物。二、依歸納之代表物， 轉化為鹿港地方的代表符號。三、深入了解該代表物在鹿港所扮演的角 色，以及這些視覺符號的使用方式與內涵意義。四、整理代表鹿港地方性 圖像，以便做為地方文化之宣導。 本研究將採用索緒爾「兩軸」理論尋根創作表現的方法，找出鹿港地 方特色的精髓，萃取具代表鹿港意象且能轉化成視覺圖像之符號，解析文 化之符號具與符號義，在符號的操作運用上，多了一份思考，藉以將鹿港 傳達給予世人，達成鹿港文化之永續經營。 | zh_TW |
| dc.description.abstract | When regional culture is mentioned, often appears the idea of recognizing its local culture. Most people think of regional culture as a local culture’s pursuit of recognition. To a modern society which deeply gets involved with many design activities among human life, one needs to consider different questions from multiple thinking angles and levels, as well as recognize local culture. This thesis will take Lu-Kang regional culture as a topic; the purpose is to advocate the consciousness of protection and development Lu-Kang regional culture by the participation of visual design creation. This topic is related to a research performed on the developed characters Lu-Kang regional culture. The goals of this research are as follows: 1. To investigate the regional custom, history and culture assets of Lu-Kang, order to understand it’s regional characters and to conclude the subjects for representing Lu-Kang’s image. 2. To transform the concluded subjects into representational symbols for Lu-Kang. 3. To deeply understand the role of these representatives of Lu-Kang, as well as their meanings and the ways of using these visual symbols. 4. To organize these symbols of Lu-Kang representatives for foreign culture propagation. This research will use the “Two axles” theory of Mr. Saussure. By using the way of root-searching for creation present, this research can be used to find out the main spirit of Lu-Kang regional characters, to extract the visual symbol which represents Lu-Kang image and to transform to visual graphic and analyze the signifier and signified of these cultured symbols. By adding multiple thought on symbol’s operation and utilization, we can deliver “Lu-Kang” to peoples of Lu-Kang culture forever-run. | en_US |
| dc.description.sponsorship | 設計學系 | zh_TW |
| dc.identifier | N2004000243 | |
| dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22N2004000243%22.&%22.id.& | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/103516 | |
| dc.language | 中文 | |
| dc.subject | 鹿港 | zh_TW |
| dc.subject | 地方文化 | zh_TW |
| dc.subject | 圖像符號 | zh_TW |
| dc.subject | 符號學 | zh_TW |
| dc.subject | Lu-Kang | en_US |
| dc.subject | regional culture | en_US |
| dc.subject | graphic symbol | en_US |
| dc.title | 應用鹿港地方文化圖像符號於視覺設計創作之研究 | zh_TW |
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