以動物隱喻之奇幻藝術創作研究 The Creation of Fantasy by Animal Metaphors

dc.contributor 黃進龍 zh_TW
dc.contributor Huang, Chin-Lung en_US
dc.contributor.author 劉巧璇 zh_TW
dc.contributor.author Liu, Chiao-Hsuan en_US
dc.date.accessioned 2020-12-10T03:10:04Z
dc.date.available 2018-08-01
dc.date.available 2020-12-10T03:10:04Z
dc.date.issued 2017
dc.description.abstract 本論文以研究奇幻藝術為主旨,由於奇幻藝術範圍廣大,形式多元,既沒有特定的風格,亦沒有太多歷史文獻為其註解,筆者藉由研究童話與奇幻文學,點出童話以人和現實生活為故事的發展核心,從討論「隱喻」與「想像」讓童話切合現實生活,進而研究受兩項性質影響的奇幻文學與奇幻藝術,找出隱喻現實生活的可能,並回頭觀看筆者反思後的創作作品以及隱喻的理念。 筆者整理出幾項奇幻要素,找出J. R. R.托爾金「第二世界」的建構理論與奇幻世界創作的關聯,以及從分析《愛麗絲夢遊仙境》與丹尼爾.梅里厄姆(Daniel Merriam)的奇幻創作中得到的奇幻藝術表現形式,為筆者長久以來,屬於個人創造與想像的奇幻世界找到了共鳴與方向,最後整合筆者以動物行為隱喻人類行為的理念,形成筆者創作奇幻藝術的手法和語彙,也透過論文研究使創作脈絡與論述更加完整。 全論文分成五章:緒論、創作研究理論基礎、創作理念與實踐、作品解析、結論,其中,第二章創作研究理論基礎中,主旨討論奇幻藝術的內涵與形式及行為理論基礎研究,並於第三章創作理念與實踐,依筆者創作理念動物隱喻性質、奇幻空間創造等過程,循序建構完整創作論述,並將實踐獨立於第四章作品解析介紹,最後總結。 zh_TW
dc.description.abstract The main purpose of this paper is the study of fantasy art. Because the field of fantasy art is comprehensive with diverse forms, which also has neither a specific style nor too many historical annotations, the research was based on fairy tales and fantasy literature. The author points out that the core development of the stories in fairy tales are based on people and real life. Through the discussion of “metaphor” and “imagination” in making fairytales correspond to reality; furthermore, studying the two natures of fantasy literature and fantasy art to find possible metaphors of real life, and to look back towards the reflection of the author’s creation and concept of metaphor. The author sorts out the elements of fantasy in looking for the relationship between the theory of J. R. R. Tolkien’s “The Second World” and the creation of fantasy worlds, also to analyze the artistic expression of “Alice in Wonderland” and works of Daniel Merriam. Through the research of these works, the author has found her own domain for her individual creation and imagination of fantasy world. With the concept of animal behavior as a metaphor for human behavior, the author not only created her own artistic approach towards her fantasy art creation, but also made the context and discussion more complete. The essay is divided into five chapters: Introduction, Foundation of Creative Research Theory, Creative Concept and Practice, Work Analysis, and Conclusion. In the second chapter, the author discusses the connotation and forms of fantasy art, and the theoretical basis of behavior theory. To complete the creation of discussion according to the author’s animal metaphors and the creation of fantasy world, the author constructed the concept and practice procedure in the third chapter. In the fourth chapter, the author stated the analysis of the creations, and the final summery. en_US
dc.description.sponsorship 美術學系 zh_TW
dc.identifier G060160028T
dc.identifier.uri http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060160028T%22.&
dc.identifier.uri http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114611
dc.language 中文
dc.subject 童話 zh_TW
dc.subject 隱喻 zh_TW
dc.subject 奇幻藝術 zh_TW
dc.subject Fairy tale en_US
dc.subject Metaphor en_US
dc.subject Fantasy art en_US
dc.title 以動物隱喻之奇幻藝術創作研究 zh_TW
dc.title The Creation of Fantasy by Animal Metaphors en_US
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