意識的本質與流變—王令繪畫創作論述

Abstract

本文為筆者在歷經了世界性疫情與科技化時代的轉變下，對於內心與觀者之間連結的一種反思，在意識流變的當下會帶來什麼不一樣的創作經驗與對生命歷程的梳理。試圖利用複合性的創作，研究膠彩與水墨間融合的可能性，藉由文本研究出意識存在性並獲得認知與啟發，進而探討心識與創作的關係。本文共分為六章：第一章緒論，說明研究動機與目的、闡述研究方法、範圍與限制，及名詞釋義。第二章學理探討，以意識中的虛實幻相作為切入點，探究心識的存在性，將東西方哲學相關理論探討解析，並在心識存在探討的過程中尋找重構自身的藝術場域。第三章透過心識的審美思維，梳理出心識美學哲思境意與相關藝術表現，並進一步求證出真實與虛幻的表徵意義。第四章個人創作思維與實踐，筆者以「虛實幻相」作為主要研究方向，因認識真虛方知真實，故以意識哲學思維內涵理念作為個人創作思維，並利用「虛實」與「幻相」塑造出創作軌跡。第五章為筆者創作實踐，共分為三個部分，《異生幻相》、《異視異識》、《心意視界》三個子題，圍繞著意識的剖析，並用內省的態度分析並檢討作品。第六章結論部分，說明在研究以「意識」為主的創作過程中，經過文獻探討與相關佐證，分析出意識中包含了心識與異識，當意識去除了異識影響後，經過沉澱與淨化，最終能達到心識的境界。最後總結並檢討創作研究的過程、成效與所遇之問題，並期望能在探討意識的研究過程中，得到人生的創作新方向。This article is a reflection by the author on the connection between inner thoughts and observers after experiencing the global pandemic and the transformation of the technological era. It explores how the shifting stream of consciousness can bring about a different creative experience and a reevaluation of life experiences. The attempt is made to utilize a complex form of creation, investigating the possibilities of blending glue painting and ink, studying the consciousness through text, gaining cognition and inspiration, and further exploring the relationship between consciousness and creation.The article is divided into six chapters: Chapter 1 introduces the research motivation and purpose, explains the research methodology, scope, limitations, and provides definitions of terms. Chapter 2 delves into theoretical discussions, using the illusions in consciousness as a starting point to explore the existence of consciousness. It analyzes relevant theories from Eastern and Western philosophies and seeks to reconstruct the artistic domain during the exploration of consciousness existence. Chapter 3, through the aesthetic thinking of consciousness, organizes the aesthetics of consciousness, philosophical thoughts, and related artistic expressions, and further verifies the representational meaning of reality and illusion. Chapter 4 focuses on the author's personal creative thinking and practice, using "virtual-real illusions" as the main research direction. By understanding the true illusion, the author incorporates philosophical thoughts on consciousness into personal creative thinking, shaping the creative trajectory of "virtual-real" and "illusory appearances." Chapter 5 presents the author's creative practice, divided into three parts: "Differences arise Illusions," "Different visions and Knowledge," and "Mindful Vision." These revolve around the analysis of consciousness, with a reflective attitude to analyze and review the artworks. Chapter 6 concludes the research, explaining that in the creative process focusing on"consciousness," through literature review and relevant evidence, it is analyzed that consciousness includes awareness and transcendental awareness. When consciousness removes the influence of transcendental awareness, after sedimentation and purification, it can ultimately reach the realm of awareness. The chapter summarizes and reviews the process, effectiveness, encountered issues of the creative research, and hopes to discover new creative directions in life through the exploration of consciousness.