疏離．延異—當代水墨畫的黑白語彙創作探索
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2013
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Abstract
本論文研究主要以「疏離．延異」的思維作為當代水墨畫創作發展的介入點，藉助逆向思維的創新思考模式以及後現代解構的延異擴張觀念，打破創作者的習慣性思維，試圖爲眾人所熟悉的傳統水墨畫黑白表現形式意涵尋求新的發展可能，推展水墨畫走向當代藝術的一環，並經由研究探索的成果展現，建構筆者的水墨畫藝術創作風格。
而其研究歷程則先從中西方藝術的發展經驗中，探求「黑白概念」在傳統水墨繪畫中的表現脈絡，以尋找接續當代水墨畫創新觀念的新源頭。文中透過對「黑白概念」在藝術發展觀念中的探源、理論建構、審美體系發展、以及歷來在水墨藝術中的表現等進行梳理，並進一步比較中西雙方在色彩觀念上的思維和黑白元素在西方繪畫作品中的審美內涵表現等異同觀念，作為學理基礎的立基點，嘗試透過對「水墨畫」黑白藝術的本性追溯，再經由「疏離．延異」的創作思維介入擴張，尋找水墨藝術未來發展的精神性追求。之後再以實際的創作執行，呈現出新形式意涵的黑白水墨畫作品，作為研究理論的證明，歸納解析作品，同時強化黑白水墨畫和當代藝術與傳統文脈的聯繫，使其在全球化的藝術格局中，能更進一步突顯出中國當代藝術的文化身份，顯示出中國藝術自身的觀念和精神價值。
Alienation and Différance thinking is the main study of this thesis. It is used as the point of intervention on development of contemporary ink painting works. Through the mode of innovative thinking, and the deconstruction expansion of post-modern différance concept, it breaks the habitual thinking of the painters. My intention was to try to seek possible new development from the stereotype traditional black and white ink painting, paving it toward the contemporary art realm. And through the results of my study and exploration I have created my own artistic ink painting style. In the process of this research I started with exploring the developments of Chinese and We stern arts, to trace the footprints of ‘black and white concept’ in the traditional ink painting, to seek for the continuation of new source of innovative ideas for the contemporary ink painting . This context consists of the development of ‘black and white concept’ in fine arts, the theoretical construction, and the development of its aesthetic system. I sorted out the works of ink painting in the past, at the same time comparing the concept of colors between the Chinese and the Western painters, and finding the different or similar aesthetic connotations of black and white element in the western paintings as my theoretical base. I attempted to trace the original art of black and white ‘ink painting’ then used ‘alienation and différance as the intervention and extension, searching for the spiritual pursuit on future development for ink art. After that, to practically applied and demonstrate the connotation of new style on black and white ink painting works, as a form of evident for this theoretical study. I also categorized and analyzed works while emphasizing the cultural connection between contemporary and traditional black and white ink paintings. So that it could further highlight the unique cultural identity of Chinese contemporary art, as well as its concepts and spiritual values.
Alienation and Différance thinking is the main study of this thesis. It is used as the point of intervention on development of contemporary ink painting works. Through the mode of innovative thinking, and the deconstruction expansion of post-modern différance concept, it breaks the habitual thinking of the painters. My intention was to try to seek possible new development from the stereotype traditional black and white ink painting, paving it toward the contemporary art realm. And through the results of my study and exploration I have created my own artistic ink painting style. In the process of this research I started with exploring the developments of Chinese and We stern arts, to trace the footprints of ‘black and white concept’ in the traditional ink painting, to seek for the continuation of new source of innovative ideas for the contemporary ink painting . This context consists of the development of ‘black and white concept’ in fine arts, the theoretical construction, and the development of its aesthetic system. I sorted out the works of ink painting in the past, at the same time comparing the concept of colors between the Chinese and the Western painters, and finding the different or similar aesthetic connotations of black and white element in the western paintings as my theoretical base. I attempted to trace the original art of black and white ‘ink painting’ then used ‘alienation and différance as the intervention and extension, searching for the spiritual pursuit on future development for ink art. After that, to practically applied and demonstrate the connotation of new style on black and white ink painting works, as a form of evident for this theoretical study. I also categorized and analyzed works while emphasizing the cultural connection between contemporary and traditional black and white ink paintings. So that it could further highlight the unique cultural identity of Chinese contemporary art, as well as its concepts and spiritual values.
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Keywords
疏離, 延異, 黑白, 水墨畫, Alienation, Différance, Black and white, Ink Painting