海洋映象之繪畫創作研究

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2020

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筆者從小生長於海港,家庭背景與生活經驗與海洋息息相關。本研究以海洋為背景,描寫有關海洋的生物,包括海中魚類,海上飛鳥及海港景物。 本研究主要以具像寫實之表現手法,透過觀察海港各種魚類之生態,以平面繪畫之手法呈現。部分作品結合魚骨黏貼創作的白鷺鷥,以結合平面繪畫之複合媒材,呈現二次元和三次元空間概念。 文獻分析部份以海洋相關創作研究,如魚類作為對象物觀看之可能性,在各種繪畫風格表現手法中,先透過文獻分析法與觀察法來建構基本的創意發想概念,透過具象寫實繪畫作品,結合視覺符號的繪畫表現方式。其他論述內容包含「魔幻寫實」、「攝影繪畫」、「現成物之運用」及「超現實藝術」等形式論述,以平面繪畫為主,攝影為輔,捕捉魚類生態之各種樣貌,型塑「海洋映象」之可看性。 研究者其另一系列係以複合媒材的手法,企圖將平面藝術的主體更具創意,探討創作研究的諸多可能,也指涉視覺繪畫在空間運用的多向思考,創作結構的轉換上,並以許多超越文字的描述,透過圖像本身透露豐富的想像空間,探討海洋映象的創作與論述。整體的創作研究價值與具體結論為 一、運用具象寫實的海洋符號繪畫容易傳遞海洋文化情感。二、以魚骨頭做成的白鷺鷥在視覺效果顛覆了平面繪畫形式。三、魔幻寫實系列作品建構個人新的創作想像空間。
Grew up by a harbor, the author’s family background and life experiences are closely connected to the sea. This research focuses on the ocean, and depicts oceanic creatures, including fish in the water and seabirds, and harbor scenes. After close observation by the harbor, the author painted various kinds of fishes in a realistic and concrete manner. In some works, mixed media is used, with egrets made from fish bones added in the paintings, presenting space in both two-dimensional and three-dimensional structures. In the literature review, an analysis is made on previous studies about oceanic art creation, such as the possibility of treating fish as an object of viewing. Document analysis and observation method is used in each painting style to build basic creational structure. Realistic paintings are integrated with visual symbols. Other discourses covered in the study include Magic Realism, Photography Painting, the utilization of ready-mades, and Surrealism. Paintings, supplemented with photography, were created to capture the diverse appearances of fish ecology, shaping the visibility of “ocean impression.” In the other series, the author utilizes mixed media to bring graphic paintings to the next level, exploring possibilities in creational research, and room of multi-dimensional thinking on the use of space in visual arts and the transfer of creative structures. Descriptions beyond words are used, and through the wide room for imagination left by the paintings themselves, the creation and discourse of ocean impression are discussed. Creative research value and conclusion:1. the realistic and realistic marine symbol painting is easy to convey the marine cultural emotions. 2. the egret made of fish bones subverts the plane painting form. 3. the magical realistic series of works to construct a new imagination space.

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海洋, 三次元, 現成物, 魔幻寫實, ocean, three-dimensional, ready-made, Magic Realism

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