闕子婷低音管學位音樂會

Abstract

本場音樂會曲目選擇以經典為主軸，涵蓋巴洛克、古典、浪漫及現代樂派中低音管的代表作品。其中包含三首重要的協奏曲。首先，巴洛克時期的韋瓦第 (A. Vivaldi, 1678-1741) 的《E小調低音管協奏曲，作品484》作為開場，旋律柔美，展現演奏者技巧及巴洛克協奏曲風格。接著，古典時期的柯策魯 (J. A. Kozeluch, 1738-1814) 的《C大調低音管協奏曲》，充分表現出歌唱性線條及古典協奏曲的特徵。在浪漫時期，韋伯 (C. M. von Weber, 1786-1826) 的《F大調低音管協奏曲，作品75》運用了歌劇手法，展現鮮明的風格對比和優美旋律。此外，還包括卡利沃達 (J. W. Kalliwoda, 1801-1866) 的《沙龍音樂，作品230》，展現低音管的浪漫魅力。最後，尚讓 (P. Jeanjean, 1874-1929) 的《前奏曲與詼諧曲》則營造出法式色彩，充分展現低音管各音域，是不可多得的傑作。This concert program focuses on classic works, featuring representative pieces for the bassoon from the Baroque, Classical, Romantic, and Modern periods. It includes three significant concertos. First, the concert opens with A. Vivaldi (1678-1741)"Concerto in E minor for Bassoon, Op. 484," showcasing a beautiful melody that highlights the performer’s technique and the Baroque concerto style. Next, from the Classical period, we present J. A. Kozeluch (1738-1814) "Concerto in C major for Bassoon," which fully expresses lyrical lines and the characteristics of Classical concertos. In the Romantic period, C. M. von Weber (1786-1826) "Concerto in F major for Bassoon, Op. 75" employs operatic elements, presenting distinct contrasts in style and beautiful melodies. Additionally, J. W. Kalliwoda (1801-1866)"Salon Music, Op. 230" showcases the romantic charm of the bassoon. Finally, P. Jeanjean (1874-1929) "Prelude and Scherzo" creates a distinctly French color, fully demonstrating the bassoon's range and is a remarkable work.