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A Study of Artist Lai, Jun Jun’s works : From Feminist Perspective
Jo Chiung-Hua Chen
Abstract In recent years, female ideological trends have been raised in Taiwan. This atmosphere has affected Taiwanese regions of art, and has promoted large scale in feminine artists’ visibilities. The development of feminine arts has actually reflected Taiwan for a half century in the social culture’s transformation and post-modernization’s tendencies with plurality. This object of study talks about a feminine artist Lai, Jun-Jun (1953-). During in these 30 years (1974-2008), there are many of plentiful artistic creations and the female consciousness. They are both integrated into the concrete practice of the artistic creations, and set up the Taiwanese feminine artistic circles with the indelible successful status. The researcher in this article from parts of second chapter, makes a comprehensive survey between different western feminisms' special characteristics and connotation. This article also analyzes the development of Taiwanese feminine art in society and culture, and collects the literature of sexual consciousness' evolutionary creation in styles and forms. At the same time, the fourth chapter talks about the time period of the artist Lai, Jun-Jun's growing background. This makes an entirely discussion and understanding whether the acquired background shape the model of the artists' evolution in their creative consciousness or not. Additionally, the fifth chapter includes the induction and the interviews with artists. After the entirely intercross comparison collected from now on, the researcher uses her feminine angle of view to analyze and compose its art creation of work and the relatedness between the evolvement of work styles and forms. Through this research's depth writing, it is detectable to detect that the artist Lai, Jun-Jun's growing background is began during the emerged age of Taiwanese modern art and the awakeness of female consciousness at that time. Under the background at this time, this atmosphere has influenced her toexpresse her experiences and the philosophy of life by creating art work. After many years, the artistic creations have been conformed to the stage of awakeness of female consciousness with internalization. The feminine art and appearance of style at last stage of 20th century in Taiwan is clearly seen in her art creation. Her infinite passion and rigid of art and devotion to inheritance of art education have established her position in Taiwanese artistic circle. She has integrated her life into art. Not rigid in the ideology critique, but to change the self-life to the sublimation practice. This life of art view also has given Taiwanese future feminine artists the best model.
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