Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115102
Title: 廢墟之美 鄒春祥繪畫創作
Authors: 林仁傑
鄒春祥
Keywords: 廢墟
寫實主義
超現實主義
拉菲爾前派
魏斯
左營
Ruins
Realism
Surrealism
Pre-Raphaelitism
Andrew Wyeth
Tsoying
Issue Date: 2006
Abstract: 摘要 科技文明的進步,一方面帶動了城市的改造,另一方面卻也將過去的建築物徹底的消滅與破壞。近年來,我的故鄉─高雄市左營區正面臨著社會文化與經濟環境轉型的強大衝擊,因此使得當地景物隨之造成明顯的改變。本研究的創作主軸是定位在描繪改造中的城市—左營地貌。在創作研究的過程中,我以一個在地人的觀點,去思考左營一帶廢棄的建築物所引發的視覺感受與創作靈感,並進而採取藝術創作行動。 本論文研究的領域是探討廢墟建物描繪風格的形成與精神內涵。第一章,研究動機,最主要是檢視左營這一個地方,正面臨都市計畫改建,許多是筆者兒時的記憶角落,目前已遭破壞或消滅中,因此表達心中的感觸,而思考文明衝擊下所產生的廢墟。第二章,文獻探討,企圖從美術史中各個流派描述風景,人文的資料中尋找創作的材料。另外參考美學家所論述美的形式與語言,從中得到對自然界所下的定義差異作為比較。 第三章,創作技法和理論基礎以樸實、和諧為核心價值。分成英國風景繪畫、寫實主義、超現實主義、拉斐爾前派、魏斯水彩繪畫等五部分來做一說明。並藉由水彩,油畫繪畫媒材,表達個人對左營地區廢墟建物的關懷和生命的探討,同時也剖析個人在創作中所表達的作品含義。第四章,創作媒材和技法,介紹個人在運用媒材和技法的實驗心得和效果。第五章,作品解析。第六章,結論與未來展望。 希望藉由這次研究與創作,讓社會大眾對左營地區舊時代的回憶產生關注眼光;同時也擴及其他正面臨拆除的老建築物上。從這次創作研究中,筆者深深體會到舊建築物是具有特殊的情感,然而現代文明在進化過程中,勢必對這些過去的回憶形成淘汰與威脅。而個人能夠藉由繪畫創作展示,重新喚起人們對舊建築物的省思與回顧,並進而對廢墟所遺留的價值,能相對得到適當的保存與維護。
Abstract The development of modern civlization in our societies , on the one hand , inspires residents to build new constructions in the cities; on the other hand, eliminates traditional architecture preservation. My hometown – Tsoying, is one of the examples to demonstrate how local scenery and landscape devastated due to the compact of economic and social reforms. As a resident of Tsoying as well as an advocate to protect those historical buildings, I strongly believe the local traditional architecture should not be ignored or abandoned in the modern world. Instead, those traditional buildings must be regarded as mediums to evoke “common memory” of a society and furthermore connect residents’ hearts together. As long as residents of a society launch to appreciate the beauty of their traditional architecture, they cultivate unique aesthetic experience within and gradually create new art forms to reflect their identities. Based on statements above, my research object will mainly focus on Tsoying and its changing city face. By exploring traditional buildings in Tsoying and discussing their unique aesthetic elements , I would like to present the profound racial spirit on the land. Western drawing theories and aesthetics will be utilized to support my viewpoints. This thesis will be divided into five parts:First, introduction of writing purposes: Tsoying means more than a city to me and those who grow up from here. Residents of this city not only live in its development but also live with their memories of past. Through the traditional architecture, childhood memories preserved and local identity inspired. However, with the promotion of city renew projects, modern buildings replace traditional architecture gradually. The drastic disappearance of traditional architecture means drastic disappearance of our “common memory” to the hometown. Thus, in the first part, I will describe the recent condition of traditional architecture in Tsoying and analyses factors to threat it’s preservation .Secondly, based on reference in art history and theories in both art and humanity fields: What is “tradition”? How tradition influences modern societies and people? Through studying reference in different academic fields and comparing their explanations to certain key words, we conclude a definition about tradition. As the first part mentioned, traditional buildings are residents’ common recollection to their land. Thus, the more population cherish the old buildings, the deeper local identity rooted. In this part, I will focus on “tradition” in advance and discuss how tradition survives in a modern world.Third, by studying the English drawing traditions in scenery: we figure out the core value of western aesthetics is to look for the harmony between nature and manufacture. By presenting the spirit of the following art traditions: Picturesque﹐ Realism, Surrealism, Pre-Raphaelitism , the water color drawings of Andrew Wyeth and etc., we will understand how western art tradition present its admiration to “tradition” in works. And , moreover, I will pull back to my oil painting works and explain my viewpoints within.Forth, drawing techniques and utilized materials:briefly introduce techniques and materials utilized in works and review their efforts. Fifth, works analyses.Sixth, conclusion.Through this thesis and my works, I eager to evoke people’s concern to traditional buildings’ reservation. Old buildings are important properties to any races. Thus, when we reserve those ruins and architecture properly, we are saving treasure for next generations.
URI: http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0592603004%22.&
http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115102
Other Identifiers: GN0592603004
Appears in Collections:學位論文

Files in This Item:
File Description SizeFormat 
n059260300401.pdf360.05 kBAdobe PDFView/Open
n059260300402.pdf3.52 MBAdobe PDFView/Open
n059260300403.pdf2.34 MBAdobe PDFView/Open
n059260300404.pdf404.89 kBAdobe PDFView/Open
n059260300405.pdf14.33 MBAdobe PDFView/Open
n059260300406.pdf333.45 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.