超現實影像創作─類比與數位影像呈現分析與研究
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2009
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Abstract
攝影是一種時代科技的產物，而數位化是建構圖像革命性的進展。數位影像與傳統攝影，隨著時代演進在技術上透過掃描、複製、數位與類比可以在同一平台接軌。在傳統影像的基礎上，新的數位媒材得以有更寬廣的創意空間；而數位化後影像創作也因此邁向不可思議的新視界。
電腦的發明使數位化技術成為多媒體發展的重要趨勢，其中影像製作、輸出，藉由電腦數位化軟硬體來輔助藝術家創作，因而藝術家的創作理念在新媒材的運用下，得到另外一個很好的傳達管道。當影像創作利用數位化與電腦軟體的圖層技術得以拼貼、組合、複製、改造或蒙太奇等技法來再現真實的情境，而同時數位也逐漸慢慢取代傳統攝影之實物投影、曝光、影像重疊的技術與表現形式。筆者將嘗試在文中分析數位與類比影像之優缺點，並將其理念與表現形式共通融合處透過實例印證。
本研究以超現實主義之精神為出發點，對傳統類比及電腦數位處理影像作品做一分析與比對，利用KJ.法將所蒐集之影像作品加以歸類、整理，研究數位影像與傳統暗房所建構出的影像呈現有何異同之處，以實証於超現實主義手法在類比與數位影像中作品的表現。
Abstract Photography is a product of modern technology in current times, and the digital technology is a revolutionary progress in structuring images. With the gradual process of the times, digital images and traditional photography can be connected on the same platform by the skill of scanning, copying, digitizing, and analog. New digital materials have been used much more creatively and extensively on the basis of traditional images；the creation of images based on the idea of digitizing marches toward the inconceivable field of vision as well. The invention of the computer has made the digital technology an important tendency in multi-media development. The artists’ creative ideas of new materials, including the making and the output of the images, have got a good way to express by the assistance of the computer digital software. With the digital technology and the layer technology of computer software, the image creation could mix, combine, copy, reform, or using Montage skills to re-create the real situation. Meanwhile, the digital technology has taken the place of the skills and performances in traditional photography, such as material object projection, exposing, and overlapping the images. The author tries to analyze the strengths and the weaknesses of images made in the way of digitizing and analog in the article. The author also provides the examples to prove the mutual application between the ideals and the form of expression. Through analyzing and comparing with the work of traditional analog and computer digital processing images, sorting out the work created in K.J. skill and investigating the differences and the similarities between the digital images and the images produced in photofinishing station, this study, based on the spirit of Surrealism, provides the examples to present the surrealistic style performances in the work of the analog and digital images.
Abstract Photography is a product of modern technology in current times, and the digital technology is a revolutionary progress in structuring images. With the gradual process of the times, digital images and traditional photography can be connected on the same platform by the skill of scanning, copying, digitizing, and analog. New digital materials have been used much more creatively and extensively on the basis of traditional images；the creation of images based on the idea of digitizing marches toward the inconceivable field of vision as well. The invention of the computer has made the digital technology an important tendency in multi-media development. The artists’ creative ideas of new materials, including the making and the output of the images, have got a good way to express by the assistance of the computer digital software. With the digital technology and the layer technology of computer software, the image creation could mix, combine, copy, reform, or using Montage skills to re-create the real situation. Meanwhile, the digital technology has taken the place of the skills and performances in traditional photography, such as material object projection, exposing, and overlapping the images. The author tries to analyze the strengths and the weaknesses of images made in the way of digitizing and analog in the article. The author also provides the examples to prove the mutual application between the ideals and the form of expression. Through analyzing and comparing with the work of traditional analog and computer digital processing images, sorting out the work created in K.J. skill and investigating the differences and the similarities between the digital images and the images produced in photofinishing station, this study, based on the spirit of Surrealism, provides the examples to present the surrealistic style performances in the work of the analog and digital images.
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Keywords
數位, 類比, 複製, 圖層, Digital, Analog, Copy, Layer