Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114839
Title: 靜定時光—「生活中記憶圖像」之創作研究
Tranquility Hours—A Research on the Creation of“Image in Memory in the Life”
Authors: 蘇憲法
王瀚賢
Han Shien Wang
Keywords: 時光
生活
記憶
圖像
time
life
memory
images
Issue Date: 2007
Abstract: 藝術的本性是抽象的,它的目的是創造和欣賞並讓人的生活更加的美好。本論文的最終目的,亦是努力實踐這個結果。決定以靜定時光─關於『生活中記憶圖像』的探討為此次創作研究的主題,希望透過在時間的流逝中,重現記憶的過程,探討過往的印象,透過各種形式賦予一個新的詮釋,意圖表現出真實的情感,而經由創作形式的連結,不只是呈現了筆者直觀性可視可辨的淺層直覺,也希望能牽引因心理層次上的複雜包容性而產生共感的深層直覺,除了對筆者是生活體驗的一種回顧與省思,也透過視覺上的美感表現,能給予欣賞者心靈上的體悟,各自審視屬於自己的記憶圖像。 在藝術形式表現多元的時代中,如何焠鍊出心靈深處的感動,透過個人的藝術語彙,激發生命力的展現,是每一位藝術工作者最重要的使命,筆者欲從生活體驗中激發出令筆者難以忘懷的記憶畫面,試圖從混沌模糊中漸次釐清形象,注入經過人生歲月刻畫的體悟,從中將圖像融合藉由聯想甚或虛擬的方式,將抽象的情感層次移情於具體的形象,透過這樣的一個創作過程,引發內在對藝術創作的思考與價值的澄清,重新定位自我,並期許自己能更清楚所走的方向,奠定堅實的根基與信心。 本論文撰寫的重心架構共分六節來分述,謹摘要如下: 第一章:緒論 敘述筆者創作研究之動機與目的,創作內容及方法,以生活體驗的一種內在省思,從過往記憶畫面中尋找聯結,藉由自我的審視,重新賦予新的形象,透過靜謐氛圍的象徵意涵,尋求一種共感的心靈交會之圖像。 第二章:創作理念與理論基礎之探究 從長久的生活體驗中發掘題材,轉化記憶與圖像中的連結,並從象徵主義的情感聯結,時間存有的記憶尋找和移情作用的情感投射,轉化為創作理論的基礎。 第三章:西方繪畫中生活風貌的表現 從繪畫史中擷取前人的表現內容及形式、技法以及美學意涵,作為啟發創作的激素。 第四章:創作內容、形式技法與媒材 創作內容以情感的再現為主,藉重新轉化的記憶圖像對自我做一反思,運用光影的表現,寧靜氛圍的情境,隱諱的象徵意涵來呈現,並探究其形式與技法媒材之應用。 第五章:作品解說與分析 分析作品之主題內容及表現形式。 第六章:結論 個人創作體驗與成果的分享,並期許自我的展望與未來創作的延續。
The nature of art is abstract; its purposes are creativity and appreciation that also make people’s lives become better. The final aim of this thesis is to attain the result. This thesis has decided to adapt Snap- about “The Study for Memory Images in Life” as the topic of this creation research. Besides, the researcher hopes to reproduce the process of memory with the passing of time, probes into the past impression, gives a new explanation through various kinds of forms, and intends to express true feelings. Moreover, via creating the link of the form, the researcher not only has presented his ocular, visible, and distinguishable shallow layer of intuitions but also drew the deep intuition which is produced by the common sense because of complicatedness forgiving on the psychological level. In addition, it’s a kind of retrospect and thinking in daily life for the researcher. Through the aesthetic feeling on the vision, the researcher can offer appreciators soul realization to examine memory images that belong themselves. In the plural era of art form display, the most important mission for each artist is how to refine the emotion in the deep of the mind, inspire the representing of vitality with the personal artistic words. From life experiences, the researcher wants to arouse unforgettable memory images and attempts to distinguish them gradually from the confusing and fuzzy situation, and then he pours into the realization that is portrayed through life. The researcher will merge images by associating and fictitious methods empathize the abstract feeling in the concrete image. Therefore, through such creation process, the researcher causes the inner thinking of artistic creation and the value clarification , reoriented himself, expects himself to understand what the direction is, and establishes solid foundation and confidence. The main structure in this thesis that is divided into six sections and the summary is as follows: Chapter one: Introduction Narrate the motivation, purposes, contents, and approaches of the researcher’s creation study. Use inner thought of life experiences, look for links from the passing memory pictures, give the new image again with self-examination, and seek the picture of common sense of soul through the symbol meaning of the serene atmosphere. Chapter two: The creation ideas and the research of theory foundation. Explore the materials from the long life experiences, transform the link in memory and images, and connect the emotion of symbolism, search for some memory and the projection of empathy, turn into the foundation of creation theory. Chapter three: The presentation of life styles in western paintings Adapt predecessor’s presentation and forms, skills, and aesthetic meaning from the painting history as inspiration for the creation. Chapter four: The content of creation, form skills and materials. The creation content is mainly reappearing in emotion, to make introspection by transforming memory images again. Use the presentation of light and shadow, serene atmosphere, show the symbol meaning of concealment, probe into the application of its forms, skills and materials. Chapter five: The Works Explanation and Analyzing To analyze the main content and forms of expression. Chapter six: Conclusion Individual creation experiences and achievement sharing. To have an expectation and continue creating in the future.
URI: http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0093603103%22.&
http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114839
Other Identifiers: GN0093603103
Appears in Collections:學位論文

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