Please use this identifier to cite or link to this item:
The Mechanism of Official Art Exhibitions on the Development of Seal Carving in Taiwan―A Case Study of Award-winning works in Taiwan Provincial Fine Arts Exhibition and National Art Exhibition, ROC (1971-2006)
Development of seal carving in Taiwan
Mechanism of official art exhibitions
National Art Exhibition
Taiwan Provincial Fine Arts Exhibition
Constructing the idea of Taiwan's art history is an important goal of the current official cultural policy. The historical context is the primary issue. There already have basic research on the development of seal carving in Taiwan. The related research can be roughly divided into several types, such as a study of people, history, sigillary prints or comprehensive research. The former two are more focused on the career history and artistic achievements of the predecessors, or discussing the development of engraving and printing activities in specific periods. The latter two, such as the study of sigillary prints and the establishment of the seal database (the sealbank website). The development of seal carving in Taiwan began from the Ming and Qing Dynasty, prospered for the first time during the Japanese colonial period. Entering the prosperous period until the predecessors crossed the sea to Taiwan after the World War II. The research context is more clearer when related research published successively, but not any is about the official art exhibitions. Official art exhibitions are important to the development of seal carving in Taiwan. The system is derived from the Japanese colonial period and it was the most authoritative official affirmative way in the history of Taiwan art. However, there was no awards of seal carving at that time, and it was held regularly after the WWII. (Taiwan Provincial Fine Arts Exhibition and National Art Exhibition, ROC). Continuous improvement through the support and competition mechanism of the central government and became the core stage of seal carving in Taiwan. It can be observed that the influences of official art exhibitions to seal carving style, form of work and era phenomenon in Taiwan. Therefore, it’s significant to start the study “mechanism of official art exhibitions on the development of seal carving in Taiwan”. Review academic research over the years and research the history of seal carving in official art exhibitions as the basis of this article. Then analysis the development of the system and the form and style of award-winning works. Discuss the impact of the operation of the mechanism and epochal meaning of award-winning works. Positioning hstorical value for the art exhibitions setting by the official, and in order to supplement the part that was less concerned and organized in the past.
|Appears in Collections:||學位論文|
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.