Please use this identifier to cite or link to this item: http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114537
Title: 悠遊人間──現代水墨人物新解
Rambling in the human World—New Expression of Ink-Brush figurative Paintings
Authors: 王友俊
Wang ,Yiu-Jun
林政榮
Lin,Cheng-Jung
Keywords: 水墨
人物畫
面具
民間藝術
篆刻
書法
ink and brush paintings
character paintings
mask
folk art
seal cutting
calligraphy
Issue Date: 2005
Abstract: 本論文以「悠遊人間-現代水墨人物新解」為題,闡釋筆者對由傳統到現代水墨人物畫的思考進程,以詩、書、畫、印的古典技法結合人物、面具為主題,表現筆者對現實的領受感悟,使之貼近現代水墨的要義。   本研究論文架構如下: 第一章 緒論:探討研究動機與目的、研究範圍與創作方法。 第二章 水墨人物畫的源流與風格:本章從「中國傳統線描人物畫特色」談起,討論到「中國傳統人物畫的變形主義」,窺探傳統人物畫的內部變革,進而論「西方藝術衝擊下的人物畫」與傳統特質之差別,然後見「在開拓中的十九世紀到二十世紀人物畫之發展」,將水墨人物畫由古至今之沿革作一整理與剖析。 第三章 創作理念之闡釋:因為筆者有一系列面具作品,故本章介紹了中國人物畫中的「面具文化」,作為人物畫中特殊的一環。繼而討論「人物畫與社會的互動關係」,闡釋筆者以繪畫反映現實社會及生活的理念,緊接著探討「台灣社會變遷下的人物畫」,以觀台灣當代畫家筆下人物畫的不同風貌。最後從「材料形式、表現技法與內容」,闡釋筆者對於實際創作所運用的各項心得與技法,尤其指出個人作品中作為畫面隱喻的符號,是個人創作風格上之特殊處。 第四章 作品解析:以前文所論述的創作理念照應個人作品,並依照個人作品內涵分為面具系列、民間群像系列、人間愛慾系列、書法篆刻系列四個主題,並對作品的創作過程作詳實的說明。 第五章 結語:重述筆者對於現代水墨人物畫應融入生活,走近社會的主張,並能承繼傳統,注重作品的意境內涵,並指出未來持續研究關注的焦點。包含生活、政治、社會面向、人文精神的融入;詩、書、畫、印的結合;民間藝術的採擷;裝裱形式與畫面結合的運用。
Random Walk in the People World—New Explanation of Modern ink- wash Character Paintings The purpose of this paper is to explain the thinking approach about character painting of ink and wash from traditional to modern style. In order to approach the essence of modern ink and wash paintings, I use the classical technique of “poetry, Chinese character, painting, seal cutting”, combining with characters and masks, to present my feelings of reality. This paper is organized as follows: I first present the research motive, purpose, scope and creation method. After that, I illustrate the origination and styles of ink- wash character painting from Chinese traditional linear character painting to transformationism, and then character painting under western art impact and the development of character painting from 19-20 century. I introduce the mask culture and Taiwanese character paintings, then material forms, presentation technique. The topics are divided into four parts: mask series, folk series, love series and Chinese character series. Modern ink-wash character paintings must combine with life, tradition, content, and future. It not only contain the dimensions of life, politics, social and humanism, but also the mix of “poetry, Chinese character, painting, seal cutting”, folk art, mount and screen.
URI: http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G00H1603014%22.&
http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114537
Other Identifiers: G00H1603014
Appears in Collections:學位論文

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