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Abstract This article is developed from exploring the “water feature”, which has been serving as a contrast of Chinese drawings, to speculate upon the spirit and content of Chinese art within a whole cultural system, and thereby conclude a direction to creation and use creation implementation as assistance of argumentation. First chapter is the introduction that describes the motives and purposes of this study and keyword explanation. The Second chapter summarizes the origin and development of landscape painting from historical documentation. As to data selection, my key point is the internal factors under the technical presentation that influence an artist’s personal thinking and the orientation of appreciation of beauty at that time and avoid repeatedly narration for collecting historical documentations. The third chapter further explains the origin of spirit and substance of Chinese art: one is the humanity value inside the topic and meaning of the painting, and second is the characteristics and features appeared as physically expressing this intention on paper. The Fourth chapter discusses the function by using water feature to control overall composition and mood of painting and conclude the methods of water corrugation drawing in traditional techniques, by which to have thoroughly study on comparison to water feature appearances presented by modern well-known artists. The fifth chapter aims at the circumstances of modern Chinese painting development, clears out the perplexity and confusion from the trend of value puzzle, and positively approves the heavy humanism color within Chinese paintings that identify art with carefulness to “human”. The sixth chapter describes personal concept of creation and works analysis, keeps track of the causes of connection to inspiration and subject derivation in creation progresses. The seventh chapter is summary, which lists various opinions concluded in this essay item by item and proposes the expectation to my personal creation in the future.
|Appears in Collections:||學位論文|
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