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The Artistic Conception of Virtual And Real Between Abstraction And Figurative－The Artistic Painting and Research of Jun-Ming Zeng
virtual and real artistic conception
This thesis on creativity is the extraction of the author’s own experience in exploring techniques and life, internalizing the predecessors' painting styles from realism to abstract and creating a new style of his own works with novel elements, free of traditional painting performances. In the form and style of creation, the author has turned the tangible into intangible, giving viewers a new look and feel about painting. On the journey to make a career in painting, the creation always records the author's state of mind and philosophy of life. This thesis is aimed to underpin the accomplishment of works. Chapter One, Introduction, expressing research motivation and purpose, research framework and scope and theme definition, as well as development of creation. Chapter Two, The theory and foundation of creation, literature review, analysis of the influences of the relatively more distinctive abstract painters and figurative painters in the past, explaining the virtuality and reality on paintings, and establishing the creative direction of self among them. Chapter Three, Creative forms and contents, media, skills. Increase different painting effects through the use of media. Gradually transform the image structure into the state of consciousness after the concept is internalized. Chapter Four, Interpretation and analysis of works. The author shows the appearance of the work and explains the symbolic sentiment and story meaning behind the creation of painting, reflecting the artistic thought of the author's each work and the verification of the results. Chapter Five, Conclusion, summarizing the creation, leading to the results of the research, the gained knowledge and the value of creation; meanwhile, cultivation and interesting can be achieved.
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