論文學因素在二胡樂曲中之運用—以《新婚別》、《楊貴妃》為範疇
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2012
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Abstract
在不同藝術載體的創作中，探尋彼此間發展的某些共同規律，為創作提供有益的借鑒，已經逐漸成為跨領域研究者努力的方向，音樂與文學亦是如此。本論文嘗試探討音樂與文學間發展的共同規律，以及在相互借用轉化中的過程與變化，並通過對音樂音響意義進行鑑賞分析，歸納出文學的規律特徵在樂曲中之運用。
在論述架構上，本文主要以美學家王次炤的理論為基礎，逐一探討在音樂中的文學因素─過程、抒情、衝突，並以作曲者張曉峰，與其具有高度藝術價值的中期作品《新婚別》及晚期創作二胡協奏曲《楊貴妃》三者為個案研究實例。從作曲者的學習背景、學習經歷、創作理念歸納出兩首作品中表現文學因素的創作手法與特點，並在論述中佐以樂譜分析、演奏詮釋，最後也提出兩首樂曲之差異的比較。
筆者在研究結論中指出，音樂與文學異質同構的特性，使得兩者在互動的過程中彼此影響，藉此擴大了兩者的藝術表現力，豐富了它們的內涵，並使其特質更鮮明、更具立體感。筆者藉由此一研究，提供了音樂與文學在相互融合過程中使用之手段的可能性，與演奏技術的建議，希冀此一跨領域的研究，能夠為二胡音樂的學術研究發展，提供一個更寬闊的研究面向。
Exploring the common characteristics in between different forms of art for the benefits of artistic compositions has gradually become the focal point of cross-field research. One of examples is the exploration of the interaction of music and literature. This dissertation seeks to discuss the common characteristics in developmental processes of music and literature and their transformation in the process of interaction and mutual conversion. This dissertation also seeks to synthesize the ways to apply major characteristics of literature in musical composition by analyzing the meaning of musical sounds. Based on the theory proposed by esthetician Tzu-Chao Wang, this dissertation first discusses the processes, expressions and conflicts of literature elements in their application in music. This dissertation also brings up the composer Hsiao-Fen Chang, his valuable middle-stage composition “Xin Hun Bie”, and his late period composition “Yang Gui Fei” for the purpose of case study. The author seeks to synthesize the compositional methods used in these two compositions to display the literature elements by examining composer’s academic backgrounds, learning experiences, and ideas of composition. Also included in the course of discussion are the musical analysis and performing interpretation of these two compositions. Lastly, the author will compare the differences of the two compositions at the end of this dissertation. As the author indicates in the conclusion, the isomorphism of music and literature causes the two forms of arts influence each other in the process of interaction, by which the expressive capacity of music and literature is expanded, their contents enriched, and their characteristics exhibited in a more prominent way. The author seeks to explore the feasibility of the methods used in the mingling process of music and literature and provide suggestions concerning performing skills in this dissertation. It is hoped that this cross-field research can pave the way for a broadened academic development of erhu musicology.
Exploring the common characteristics in between different forms of art for the benefits of artistic compositions has gradually become the focal point of cross-field research. One of examples is the exploration of the interaction of music and literature. This dissertation seeks to discuss the common characteristics in developmental processes of music and literature and their transformation in the process of interaction and mutual conversion. This dissertation also seeks to synthesize the ways to apply major characteristics of literature in musical composition by analyzing the meaning of musical sounds. Based on the theory proposed by esthetician Tzu-Chao Wang, this dissertation first discusses the processes, expressions and conflicts of literature elements in their application in music. This dissertation also brings up the composer Hsiao-Fen Chang, his valuable middle-stage composition “Xin Hun Bie”, and his late period composition “Yang Gui Fei” for the purpose of case study. The author seeks to synthesize the compositional methods used in these two compositions to display the literature elements by examining composer’s academic backgrounds, learning experiences, and ideas of composition. Also included in the course of discussion are the musical analysis and performing interpretation of these two compositions. Lastly, the author will compare the differences of the two compositions at the end of this dissertation. As the author indicates in the conclusion, the isomorphism of music and literature causes the two forms of arts influence each other in the process of interaction, by which the expressive capacity of music and literature is expanded, their contents enriched, and their characteristics exhibited in a more prominent way. The author seeks to explore the feasibility of the methods used in the mingling process of music and literature and provide suggestions concerning performing skills in this dissertation. It is hoped that this cross-field research can pave the way for a broadened academic development of erhu musicology.
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音樂與文學, 音樂中的文學因素, 新婚別, 楊貴妃, 二胡, Music and Literature, Literature Elements in Music, Xin Hun Bie, Yang Gui Fei, Erhu