文學院

Permanent URI for this communityhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/2

院成立於民國44年,歷經50餘年的銳意發展,目前設有國文、英文、歷史、地理、臺文等5個學系、翻譯和臺灣史2個獨立所,以及全球華人寫作中心和國際臺灣學研究中心。除臺史所僅設碩士班,其餘6個系所均設有碩、博士班;目前專兼任教師近250人,學生約2500餘人。

本院早期以培養優秀中學國文、英文、歷史和地理教師為鵠的,臺灣中學語文和史地教育的實踐與成功,本院提供不可磨滅的貢獻。近年來,本院隨師範體系轉型而調整發展方向,除維持中學師資培育的優勢外,也積極朝理論研究和實務操作等面向前進。目前,本院各系所師培生的教師檢定通過率平均在95%以上;非師培生在文化、傳播、文學、應用史學及環境災害、地理資訊系統等領域發展,也已卓然有成。

本院各系所教師的研究能量極為豐富,參與國內外學術活動相當活躍。根據論文數量、引用次數等指標所作的學術力評比,本院居人文領域全國第2名。各系所之間,無論是教師的教學與研究,或學生的生活與學習,都能相輔相成、榮辱與共,彼此渾然一體,足堪「為師、為範」而無愧。

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    臺灣新聞編譯的角色演變
    (2022) 胡郁欣; Hu, Yu-sin
    本文試圖從目前台灣新聞編譯的討論、教材、實例中,找出新聞編譯人員的角色演變。第一章檢視目前新聞翻譯的討論與教材,發現除了探討新聞組織的意識形態、中英文翻譯技巧等外,還有隨著中文新聞能見度與重要性日益重要的背景下,中文新聞是否也可以透過比編譯更多元、直接的方式觸及英文讀者?作者也透過作者自身的工作經驗,將新聞編譯的討論延伸至新聞編譯人員本身的新聞專業度、從事採訪工作的可能性。本文第二章接著提出多個中、英文的編譯新聞範例,逐一檢視其翻譯技巧,賦予重新詮釋的空間,討論台灣新聞編譯人員隨著中文世界的新聞也愈顯重要的時代中,在工作內容與形式上有何轉變?並討論編譯人員與記者之異同,試圖從這些討論中強化新聞編譯人員在媒體界的角色、提升編譯新聞品質,並讓大眾更了解新聞編譯工作內容的方法。
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    The Transforming Aesthetic of the Crime Scene Photograph
    (英語學系, 2012-03-??) Brittain Bright
    The crime scene photograph, which came into being as part of an official evidence-gathering process, evolved through the tabloid news industry in the mid-century United States into a form of entertainment. From sensational news, the imagery, which had become ingrained in the public imagination, was co-opted by fashion and art to stage photographs that stylistically evoked the crime scene’s visual rhetoric. The crime scene aesthetic is now part of the vocabulary of many major fashion photographers, and a number of contemporary artists use both fashion and crime to question popular perception of these images. The various adaptations of the crime scene photograph have altered the aesthetic consideration of the original, so that archival examples from police departments and newspapers are being treated as art in galleries and glossy monographs. These re-imaginings and re-uses raise questions about the impact of staged imagery on the perception of authentic imagery.
  • Item
    The Transforming Aesthetic of the Crime Scene Photograph
    (英語學系, 2012-03-??) Brittain Bright
    The crime scene photograph, which came into being as part of an official evidence-gathering process, evolved through the tabloid news industry in the mid-century United States into a form of entertainment. From sensational news, the imagery, which had become ingrained in the public imagination, was co-opted by fashion and art to stage photographs that stylistically evoked the crime scene’s visual rhetoric. The crime scene aesthetic is now part of the vocabulary of many major fashion photographers, and a number of contemporary artists use both fashion and crime to question popular perception of these images. The various adaptations of the crime scene photograph have altered the aesthetic consideration of the original, so that archival examples from police departments and newspapers are being treated as art in galleries and glossy monographs. These re-imaginings and re-uses raise questions about the impact of staged imagery on the perception of authentic imagery.