教師著作
Permanent URI for this collectionhttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/31273
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Item 全球流動時代下文化公民身份之展演政治(臺北市：中研院亞太出版社, 2009-01-01) 賴嘉玲Item 藝文理論策展作為公共性知識份子行動(2013/1/05-06) 賴嘉玲Item 「收拾行囊」，安心上路：從旅者行李打包的戰略談流動社會中日常生活政治的實踐(臺北市：中研院亞太出版社, 2011-01-01) 賴嘉玲Item Linking art and creativity through the museum souvenirs(2011/9/07-10) Lai, Chia-lingItem Follow me into the temple of art: on the multiple performance of museum guide practices(2009-09-05) Lai, Chia-LingCurrent studies on art and museums, paying little attention on the long lasting but recently transformed practices of multiple museum guide services' from panel introductions, guidebooks, personal guides to the audio-visual guides, fail to explore how the significant intermediate dimensions intervene not only the museum installation but also its consumption and reception. This research analyses the historical development of guidebooks to its current technological form performed by audio guides, due to the social trends embodied in multiplication of senses, human and non-human hybridisation, time-space flexibility and cultural industrialisation; and also its multiple uses by different visitors, considering the speed of the visit, human and non-human relationship as well as visitor's capital accessible to the exhibition based on one current case study. Drawing upon Actor-Network Theory, Bourdieu's theory of practice and Urry's theory of multiple mobilities, this study concerns how guide services perform as the tool of regulation when providing freedom and individualised mobile options. Based on "Splendor of the Baroque and Beyond: Great Habsburg Collectors- Masterpieces from the Kunsthistorisches Museum Vienna" exhibition held in the National Palace Museum in Taipei in 2007-8, this research not only explores the production of museum's multiple guide services by interviews and discourse analyses of guides concerning the tempo, sound and the control of references, but also how different visitors appropriate various guide services based on in-depth interviews and fieldwork in the museum.Item ‘Art Mobs’ in the museums: theorising the mobile performance of museums’ audio guides(2007-09-06) Lai, Chia-lingItem 全球冷戰結構下博物館場域中的離散博物館: 台北故宮博物院(1950-1980s)(2007-11-25) 賴嘉玲Item Performing environmental future through the global event: analyzing the sustainable cosmopolitan vision in the 2010 Shanghai World Expo(2010-07-24) Lai, Chia-lingAs an emergent global event, World Expo not only performs globality and cosmopolitanism under the competing international framework, but could also provide the creative new visions that dramatically transform the society on the global scale. This paper analyzes how the sustainable future of cities has been creatively imagined and performed by the competing national and corporate pavilions in the 2010 Shanghai World Expo. It first deals with the convergent power of the World Expo in providing cosmopolitan vision in the context of Shanghai as an Asian city. Then, it discusses the dilemma of representation between nationalism and globalization in the contemporary World Expo, especially when new technology is highly involved into the design to perform global issue of sustainability. The environmental future will then be imagined through the forms that are national cultures related, city culture oriented, materiality realized and new technology engaged. Multiple senses involved sustainable future represented in the World Expo as the general exhibition will also be discussed. Finally, this paper will examine how the created affection has been performed in the World Expo, considering different audiences’ reflexive reactions towards the spectacle environmental imagination.