吳宥鋅Wu, Yeou-Xin田明穎Tien, Ming-Ying2024-12-172024-01-312024https://etds.lib.ntnu.edu.tw/thesis/detail/b227e32774f895d1673403a291a2840d/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/124040每個時代的人們都有著該時代的價值觀及生活型態，身為現代女性的筆者 發現自身在面臨家庭情感、人際關係、自我理想是有階段性的心境轉變。其中， 包括要與原生家庭下價值觀作抗衡、面對旁人給予的評價所帶來的衝擊，尋找內在的自我與外界關係平衡等過程。因此想藉由創作將內在精神轉化的過程與 價值觀用圖像意涵的分析方法和創作理念的梳理，逐步使筆者所用的內心投射 之情感建構出帶有隱喻的社會架構與框架。本次研究分為五大部分:第一章為研究動機與目的、內容與範圍、研究方 法與步驟概述、名詞釋義。第二章從「賦予女性‧內在演化」以女性於社會框架中的表現、女性於家庭關係的權衡、周遭旁人對女性的議論為主軸，探討女 性在現代社會，處在當不同身分時，自身理想如何與外在社會共處共存，將女 性所面臨到，來自各種層面議題從中探討並梳理。第三章連結前述的背景與動 機，以「柔性下的理性」說明系列作品之創作理念與實踐;以「柔性」作為藝 術表現情感的具體呈現，以「線性」作為藝術表現形式的方式，將作為筆者創 作表現形式上的參照與梳理，藉由藝術家不同的作品表現形式進行分析，並透 過多元的創作表現形式刺激筆者思考創作新的表現形式。第四章「框架下的權 衡交織」之創作論述，以筆墨下的線條變化和雕刻符號於紙張作為主要創作媒 材與表現形式，以水墨審美經驗為出發，用線條展現在東方筆墨技法中結合不 同空間所展現的張力與節奏，探索女性於內在情緒的盤繞、遊走、拉扯之力量， 並最後透過作品的個別解析，建構出整個作品的脈絡與內容。第五章為結論， 回顧創作心得與研究歷程，使未來在創作能激發新的可能性。Each era brings with it its own values and lifestyles. As a modern woman, the author has noticed distinct phases of emotional transformation when dealing with family dynamics, interpersonal relationships, and personal ideals. This includes the need to balance values from one's original family, coping with external judgments, and the search for inner self and external relationship equilibrium. Thus, the author aims to depict the transformation of inner spirit and values into metaphorical social structures and frameworks through creative imagery analysis and conceptual development. This study comprises five main sections: Chapter One outlines research motivations, objectives, content, scope, methods, and terminology. Chapter Two explores women's roles in modern society, focusing on their presence in societal structures, family relationship balances, and societal perceptions of women. It examines how women navigate their ideals in different societal roles and dissects various issues they encounter. Chapter Three links prior context and motivations, elucidating the creative concept and execution within the"Rationality beneath Flexibility" series. "Flexibility" symbolizes concrete emotional expression in art, while "linearity" serves as a reference for the author's creative forms, inspiring fresh modes of expression. Chapter Four discusses the creative discourse within the "Interwoven Balance" framework, primarily using variations in ink and line symbols on paper as the primary creative mediums. Starting from ink aesthetics, it employs lines to convey the tension and rhythm within different spaces, exploring the strength of women's internal emotions as they coil, meander, and tug. Lastly, it constructs the work's context and content through individual analyses of each piece. Chapter Five concludes by revisiting creative insights and the research journey, sparking potential for future creativity.水墨創作現代女性隱喻線性Ink painting creationModern WomenMetaphorLinearity學術論文