何東洪Ho, Tung-Hung莊承憲Jhuang, Cheng-Sian2022-06-082022-02-282022-06-082022https://etds.lib.ntnu.edu.tw/thesis/detail/1d466e449ab49bd290a84ffc8823bca0/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117398拍謝少年是一支台語獨立樂團，2005年開始寫歌，2012年發行第一張專輯《海口味》，2017年第二張專輯《兄弟沒夢不應該》，2021年第三張專輯《歹勢好勢》，並在35天募得超過300萬元，打破台灣獨立樂團群眾募資的最高金額紀錄。有別於閃靈或滅火器等台語樂團訴諸國族主義，拍謝少年主張走入日常生活與在地產生連結，以啤酒、海湧、虱目魚為號召，在漫畫店、台菜餐廳、轉運站和保齡球館演出，樂團形象帶有鮮明的台味風格，展演現場也發展出獨特的樂迷文化。 拍謝少年與樂迷透過獨立音樂建立連結，再由文化認同建立緊密關係。以台語搖滾結合本土意象的符號行銷，拍謝少年提倡「新台風運動」，嘗試將台灣文化打造成帶有美學品味的生活運動，藉由音樂、展演與消費，使台灣文化自然地進入樂迷的日常生活之中，成功讓樂迷逐漸形塑出對在地文化和自我身份的熱愛與認同。 本論文以Alan Moore的真誠性(Authenticity)概念為基礎，研究拍謝少年在音樂創作、展演場景和樂迷文化等音樂實踐過程中，其真誠性是如何形塑？又是如何被調動運作？而拍謝少年與樂迷彼此之間的真誠性又是如何交織對話？本土意識在拍謝少年的音樂實踐裡如何被動員？拍謝少年提供了哪些本土認同資源？而樂迷又是如何透過拍謝少年的音樂實踐來形塑本土的自我認同？ 關鍵詞：獨立音樂、真誠性、台語、音樂場景、樂迷文化Sorry Youth(拍謝少年) is a Taiwanese indie rock band, writing song since 2005. They released their fist album “Seafood(海口味)” at 2012, second album “Brother Shouldn’t Live Without Dreams(兄弟沒夢不應該)” at 2017, and their third album “Bad Times, Good Times(歹勢好勢)” at 2021. The newest one raised over NT$3 million in 35 days, breaking the crowdfunding record for the highest amount of money raised by Taiwanese indie band.Different from Taiwanese bands such as CHTHONIC(閃靈) or Fire EX.(滅火器), which resort to nationalism, Sorry Youth advocates going into daily life and connecting with the locality. With beer, sea surges, and milkfish as a call, they performance in comic shops and Taiwanese restaurants, transfer station and bowling alley. Within distinct Taiwanese style, and a unique music fan culture has also developed at the performance site. Sorry Youth and his fans establish a connection through independent music, and then establish a close relationship through cultural identity. With the symbol marketing of Taiwanese rock music and local imagery, Sorry Youth advocates the"New Taiwanese Style Movement", trying to make Taiwanese culture a life movement with aesthetic tastes, through music, performances and consumption, so that Taiwanese culture naturally enters music In the daily life of fans, it has successfully allowed fans to gradually form a love and identity for local culture and self-identity. Keywords: Independent Music, Authenticity, Taiwanese, Music Scene, Music Fans Culture獨立音樂真誠性台語音樂場景樂迷文化Independent MusicAuthenticityTaiwaneseMusic SceneMusic Fans Culture學術論文