蔡芷芬Tsai, Chih-Fen吳學勳Wu, Hsueh-Hsun2022-06-079999-12-312022-06-072022https://etds.lib.ntnu.edu.tw/thesis/detail/801b66f5a863b850d04c464f8dd14fbf/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116358筆者論文「殘留在空間的訊息」，是以「臺灣生存空間」為中心主題，進而以藝術的角度探討環境生態保護議題。在筆者的創作中，是以「空間」來表示人類生存的環境。在筆者的創作中則泛指環境、空間以及作品「所傳逹的內容」稱為「訊息」。「殘留在空間的訊息」係蒐集殘留的紙片、記憶、景像以及腦海的殘留記憶，重新組裝成為畫面進行創作。 筆者創作的作品，就是想以藝術創作的角度探討個人生存的環境以及環保意識的相關議題；站在藝術家的立場看環境生態保護問題，並且用藝術的方式表逹對於環境生態保護的重視及觀點；期望藉由創作的作品所表現或隱喻的臺灣的環境生態訊息，使觀者感覺或接收到該等訊息以及作品隱喻的警訊。 筆者認為藝術家不能抽離社會，藝術家的創作原動力是經由內在的特質發展和社會經驗而產生的。社會性碰壁的困局，會加深其個人存在的本質疏離，一方面讓人表面屈從於日常生活的日復一日；另一方面，卻激發其更為深刻與強烈的藝術創作能量。如能理解現代社會的問題核心，以奧德修斯英雄式的精神去創作藝術，即能在下一刻呈現出新奇的藝術。 筆者研讀藝術史學、美學、藝術與社會等理論，並以之為基礎，延伸及建構理論。「殘留在空間的訊息」系列創作共計14幅。依主題性質分成3個系列。在創作過程中，筆者對於創作作品的主題意涵、形式、構圖、組成元素、色彩、造型技巧以及使用的材料，係以漸進式的方式處理，創作過程中持續檢討並予以必要的增減，注入筆者自身的感情。就創作者的立場而言，任何一個「空間訊息」都要有特殊的內涵，並找出藝術創作的操作定義及建構過程的系統思維。關鍵詞：空間、訊息、環境藝術、環境保護The author’s thesis, “ Residual Messages in Space”, focuses on the theme of “Taiwan’s Living Space” and further explores the issues from an artistic perspective. In the author’s creations, “space” is used to present human’s living environment. “ Residual Messages in Space” means to collect residual paper, memory, scene or image in mind, and to recombinant it to a picture.While all of author’s creations here are relating to Taiwan’s living space, going to talk about personal living surroundings and relevant issues on environmental protection through the perspective of an artistic creation. The author has kept thinking if he can present the problems of ecological protection from an artistic standpoint and express his cares and viewpoints on ecological problems in artistic ways.The author hopes that the viewers can feel and accept the “messages” and the metaphorical warning. An artist cannot detach from society so that he or she develops a whole concept of the society through their inner characteristics and social experiences. For artists, the social dilemma deepens essential alienation of their personal existence and that makes a person appear subservient to daily life and stimulate more profound and powerful creative energy at the same time. If an artist can understand the core of problems of modern society and create in the spirit of odyssey, he or she will present novel art.The author studied art history, aesthetics, art and society as his basis to extend and build his own theory. There is a total of 14 pieces in the series of creation of “Residual Messages in Space.” They are divided into 3 series according to thematic traits. In the process of creating, the author used gradual methods to present thematic meanings, forms, structures, composition elements, color, modeling skills, and materials and made necessary correction at any time while injecting his own affections. On the creator’s point of view, there is a special meaning in every “spatial message” and an artistic creator’s operational definition and the systematic thought in the process of construction.Keywords: space, messages, environmental art, environmental protection空間訊息環境藝術環境保護spacemessagesenvironmental artenvironmental protection