蕭慶瑜Hsiau, Ching-yu李佳盈Lee, Chia-Ying2019-09-062018-08-182019-09-062017http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060490003M%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108270武滿徹(Tour Takemitsu, 1930-1996) 為日本當代少數自學出身的作曲家。創作初期受德布西(Claude Debussy, 1862-1918) 及梅湘(Olivier Messiaen, 1908-1992) 等法國音樂與二十世紀西方音樂啟發；爾後，直至1960年代，受美國作曲家約翰．凱基(John Cage, 1912-1992) 之音樂美學觀影響，致使武滿徹重拾自身日本傳統文化，進而融合東西方文化思維，創造出獨樹一幟的音樂語彙。 本文係以武滿徹之室內樂作品，為雙簧管與弦樂四重奏《時間之間》(Entre-temps, 1986) 作為研究主題。就創作背景、曲式結構、音高組織、音樂美學觀、慣用創作技法等面向切入剖析，並輔以武滿徹各時期重要代表作品，探究其音樂語彙，進而將研究所得，體現於自我創作中。Toru Takemitsu (1930-1996), a self-taught contemporary Japanese composer, was influenced by French music and 20th western music such as Claude Debussy (1862-1918) and Olivier Messiaen (1908-1992). Until the 1960s, he was enlightened by the aesthetic view of music from an American composer, John Cage (1912-1992), thus gaining back the traditional Japanese aesthetics, and furthermore linking the thoughts from West and East, creating his unique musical vocabularies. In this thesis, the researcher selects a piece from Toru Takemitsu: Entre-temps: For oboe and string quartet (1986) as the topic, and analyzes the background of the creation, forms of the pieces, structure of pitches, techniques of the composition, aesthetic view of music and explores his musical vocabularies and conventional skills with his significant works in different eras, to practice in the future composition from the researcher.日本當代音樂武滿徹《時間之間》雙簧管與弦樂四重奏Contemporary music of JapanToru TakemitsuEntre-tempsoboe and string quartet