劉建成Liu, Chien-Cheng陳盈均CHEN, YING-CHUN2019-09-052016-08-232019-09-052016http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0003682123%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/102889動物保護的觀念對於現在的我們來說已經不陌生，但真正落實到「保護」的行動卻寥寥無幾，傷害動物的事件還是絡繹頻繁不絕，因而回溯到19世紀動物保護議題的起源，找出人類自覺的根本，並相呼應同時期所產出的表現主義流派，亦與其他流派有別於將「表現」實踐出更具體的作法，憑心中主觀的感受呈現事物與嚮往回歸最初的自然型態。有鑒於此，本研究藉由「表現主義」風格，對於人們保護動物現狀的不滿而宣洩內在之情感，以插畫為媒介，拋開人類中心主義的思考，站在動物角度的立場，跳脫一般市場上主流的插畫風格，以邏輯、詮釋性分析動物內心的情感為創作模式，達到「為動物發聲」的目的，並導入視覺隱喻手法，在與觀者心靈層面的互動下，激發潛在的良知，進而反思人與動物之關係，並重新自我審視。本研究欲達成之目的有：1.透過表現主義流派時代意義的詮釋，彰顯藝術風格的價值。2. 嘗試將表現主義流派的視覺特性應用在動物保護議題插畫之創作，研究其具體可行性。3.探討動物保護觀念的發展以及其思維之轉變。 本創作研究經由表現主義、動物保護與視覺隱喻等三大類的文獻蒐集，歸納出表現主義風格多元的特點，以及人與動物之關係的現代課題，統整視覺隱喻手法的應用，並分析國內外表現主義風格與動物保護相關之插畫家作品的表現手法，取樣依據區域廣泛、創作時間、藝評者、插畫家自述與筆者研究評估其風格，並運用視覺隱喻手法等標準，所得之資料，創作出5個系列計17件作品。經由文獻、案例分析整理與創作實證的內化過程，歸納出以下結論： 1.多數人對生命權的尊重度是不足的。主因在於國人尚未普遍建立一種尊重人類以外物種生命的觀念。 2.表現主義的視覺風格多元且多樣。從題旨、理念、精神找到相互影響的層面，利用風格的基本要素：線條、色彩、形體、手法表現，歸納出其風格特點。 3.運用視覺隱喻之插畫手法較具反思效果。運用其手法，給予觀者的，不只有被動的訊息接收，而是包含了更多主動的詮釋，使觀者反思。 4.將表現主義流派導入現代插畫應用，呈現出異於主流風格的面貌。利用表現主義風格，導入比純藝術更貼近大眾的插畫，以非主流之風格跳脫市場框架，使觀者帶來新的視覺刺激。The concept of animal protection is not strange to us in this time, however, cases of cruelty to animals can still be heard without end. We traced it back to 19th century trying to find out the root of animal welfare historical context and identify the root of human consciousness. We focus on the contemporary expressionism, and the distinction of other schools that practices and yearned for returning the original natural format. In view of this, the research expressed the resentment for the current condition of animal welfare through applying expressionist style on our artworks. Using non-mainstream style illustration as media and moving thinking model from totally human centered to full animal rights, we reach our goal of speaking for unspoken, animals, through our creating processes. We also used visual metaphors in our works to communicate with the viewers to stimulate their good conscience and encourage them to reflect on the relationship between human beings and animals and on themselves. The goals of this research including: 1. Showing the value of art styles via explaining the time significance of expressionism. 2. Applying the visual characteristics of expressionism on animal protection issues related illustration and determining its feasibility. 3. Investigating the developments and the changes of animal welfare. The research summarized the diverse features of expressionism, the applications of visual metaphor techniques and the modern relationship between human and non human animals via literature collection in the domains of expressionist style, animal welfare and visual metaphor. We also analyzed the styles of animal welfare related artworks from domestic and international expressionist artists by sampling through different regions, times, art critics and artists’ own words. Through all these research processes, we created five artwork series which includes seventeen art pieces. By way of literature research, case study analysis and artistic creative processes, we came to the conclusions as follow: 1.Most of the people in Taiwan don’t have enough respect for animals other than human beings. 2.Expressionism has diverse visual styles. Through finding the interactions between topic, concept and spirit, and using basic elements which includes lines, colors, shapes and painting techniques, we can summarize the features of this art style. 3.Illustration techniques with visual metaphors have better self-reflecting capabilities. Which make viewers not only passive recipients but also active participants who can enter the painting with more self-interpretation and self-reflection. 4.Applying expressionism into modern illustration, which is more approachable than fine art, can make the artworks presenting non mainstream style and give the viewers more visual stimulations.表現主義動物保護視覺隱喻插畫expressionismanimal welfareanimal protectionvisual metaphorillustratio