陳瑞文Chen, Zuei-Wen楊詠晴Yang, Yung-Ching2020-12-10不公開2020-12-102017http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060260031T%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114643本論文旨在研究威爾斯的《贗品》之影像分析，以德勒茲在「造假力量」所提出的諸多議題對《贗品》進行探討。此研究主要劃分為四個部分：第一部分探討《贗品》破壞「真模式」的造假技術。第二部分研究《贗品》的「晶體」議題。 第三部分析《贗品》的「造假」議題。第四部分探討思想史上的觀點主義，在威爾斯的「視覺建築學」之體現。研究發現，威爾斯以「直接影像－時間」、「偽造敘述」、「偽造者系列」、「力」、「晶體性描述」的影像表現，消除一般性敘述電影中的「真實世界」與「判斷系統」。The purpose of this study was access to research the image analysis of Welles “F for Fake” through lots of issues that were raised in “The Powers of the False” by Deleuze. There four main parts in this study. The first part researches that how falsify damages model of truth in “F for Fake”. The second part researches the issue of crystalline in “F for Fake”. The third part analyzes the issue of falsify in “F for Fake”. The forth part researches how the perspectivsm in the history of thought demonstrates on Welles “Architecture of Vision”. Finally, the aim of the study was to find out that Welles used the images of architecture of vision, direct time -image, falsifying narration, the series of forgers, force and crystalline description to present, removing true world and system of judgement in generally narrative films.奧森‧威爾斯造假力量偽造者系列視覺建築學Orson Wellesthe powers of the falsethe series of forgersarchitecture of vision