蕭慶瑜Hsiau, Ching-Yu王智德Wang, Chih-Te2024-12-172024-10-182024https://etds.lib.ntnu.edu.tw/thesis/detail/0248781c15d2719168f41cb931f7928b/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/123869義大利作曲家貝里歐 (Luciano Berio, 1925-2003)，在二十世紀中期多元的音樂中，廣泛地吸取這些風格，於1960年代發展出生動、獨特的音樂語彙，也常汲取其他領域與文化面向做為自身創作的養分。貝里歐常透過改編自身創作，或是引用過往作曲家的曲目加以審視，為這些作品增添註釋，用意是在一個預先存在的核心上疊加層次，以創造新的視角及產生對話的空間。本論文透過研究貝里歐於1964年的室內樂作品《民歌》(Folk Songs)，探討其在改編民歌作品時，對於流行與嚴肅音樂之間的平衡掌握，以及音色與配器的多元面貌，並運用於自身創作。本論文共分為五章：第一章「緒論」，說明動機與目的；第二章「貝里歐生平與音樂風格」，敘述生平、創作與音樂教育歷程，並以創作形式分類、闡述其音樂風格；第三章「樂曲分析」分述各樂曲之背景、風格與特點，暨全曲之綜合分析；第四章「自我音樂創作理念之實踐」，為筆者在探討《民歌》後所進行的創作與樂曲分析；第五章「結論」，總論全文並提出研究心得。Italian composer Luciano Berio (1925-2003) drew on a wide range of these styles in the diverse music of the mid-twentieth century, developing a lively, gestural vocabulary in the 1960s that often drew on other fields and cultures outside of music. Berio often added annotations to these works by adapting his own compositions or by examining them through references to the repertoire of previous composers, with the intention of layering on top of a pre-existing core in order to create new perspectives and space for dialogue.By examining Berio's 1964 chamber work Folk Songs, this thesis explores Berio's mastery of the balance between popularity and scholarship, as well as the diversity of timbres and orchestration in his adaptations of folk songs, which he applies to his own compositions. This thesis is divided into five chapters: Chapter 1, "Research Motivation", explains the research motivation and purpose; Chapter 2, "Berio's Life and Musical Style", describes Berio's life, composition works, musical education, and introduces hismusical style in the form of similar arrangements or compositions; Chapter 3,"Analysis of Scores", describes the background, style, and characteristics of each piece, as well as a comprehensive analysis of the whole piece; Chapter 4, "The Fulfillment in My Own Music Ideas", is an analysis of the author's composi-tions and the application after finishing the research of Folk Songs; Chapter 5, "Conclusion", summarizes the thesis and presents the insights of the study.貝里歐民歌室內樂連篇歌曲改編義大利Luciano BerioFolk SongsChamber MusicSong CycleArrangementItaly學術論文