黃進龍Hung Chin Lung許秀玟Hsu.Hsiu-Wen2020-12-10不公開2020-12-102009http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0595603105%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115141本創作論述以跨界遊思─「我」的繪畫創作為研究主題，意指無拘無束、深沉的思惟遊走於感官界與精神界，以「心靈」深刻的觀察頓悟複雜的事物，「自我觀照反思」，而不固執自我、去除生命的慾念而「喚回自性」。 主要的創作元素取自平日生活中的體驗所轉化成的內在精神象徵，以內在象徵意念、超現實的創作理念及手法和心理學層面的探討，來描繪自我的內心世界。從〝人與物〞、〝人與人〞以及〝人與環境〞的面向切入，透過時間的流轉，時空背景的轉換及自我角色的多重扮演，來探索自我內在思惟、情感思緒，透過想像與現實共構的世界來表達自我的潛在心象。象徵手法是人們傳情達意的表現方式之一，筆者藉由象徵所傳達的想像及其隱藏的隱喻來反映自我心靈的潛在意象，擷取超現實主義的幻想風格、創意與空間重組的概念，作為創作的表現手法及理念。 本創作研究論述的主要架構包括：﹝緒論﹞，說明本研究的動機與目的、步驟與方法、研究範圍與限制，確立學理研究欲探討的中心主旨及範圍，並訂定自我的創作方向。第一章﹝創作的學理基礎﹞，闡述自我創作的理念並探討影響個人創作的脈絡源流─象徵主義、超現實主義、佛洛依德的精神分析理論、榮格的分析心理學以及精神分析學思想與佛教唯識論相應的觀念之比較。第二章﹝創作實踐與理念之探討﹞，包含自我的創作理念、創作風格的轉變以及「我」的哲學探討與作品相關性之分析。第三章﹝繪畫構成要素之探討﹞，針對創作的內容、表現形式、油畫媒材與技法的運用做一探討。第四章﹝創作作品解析﹞，闡述本系列作品的創作理念、內涵與實踐。﹝結論﹞部分主要針對本研究作綜合性的結論、省思及未來之展望。The study theme of thesis is “Imagination crossing the time and space minds without border thoughts—the ego of study for creative painting.” The meaning is free and easy, deep thoughts which go across sense and spirit borders via “soul” deep observation insight complicated as well as the ego perspective and introspection in order to rid of life desire to recall real nature but fixed the ego. The main creative element is catching transfer inside spirits symbol from daily life experiences. To draw the ego inner world by inside symbol idea, surreal creative concept and psyche level research. Researching the ego inside thoughts, emotions and feelings by way of combining with imaging and real world expressing the ego latent so that view different angles through by time and space transformed and the self role multi-play from people and things, people and people, people and environment. Symbol technique is one of representing way of delivering sentiment. The author would reflect the ego soul of potential image by means of dissimulate metaphor and collect the concept of fantasy style of surrealism, originality and space recombination as expressing techniques and ideas for composing works. The frameworks of producing study to expound are included: Exordium—instruction the motive, purpose, steps and methods research scope and limits of the study. Chapter1 Creative fundamental theory—expounding the ego creative concept and then discuss the effect of personal producing on the origin thread of thoughts according to Symbolism, Surrealism, psychoanalytic psychology of Sigmund Freud, Carl Gustav Jung as well as expression introducing comparison from analytical psychology and Buddhist Mere-Consciousness Theory. Chapter2 To research producing practice and concept—including the ego creative concept and style transferred, even analyzing correlation between the philosophy and works. Chapter3 Discussing painting elements—focus on creative matter, display mode, oil painting material and sketch techniques. Chapter4 Explain and analyze the creative works—to expound this series of works’ producing concept, connotation and practice. Conclusion—make the comprehensive conclusion for the study and look into the future.自我觀照象徵主義超現實主義唯識論the egoperspectiveSymbolismSurrealismMere-Consciousness Theory