李振明蘇玄德Su, Hsuan-Te2020-12-102016-06-242020-12-102016http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0002603124%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114360本研究主題「水墨之書寫性與繪製性探討：蘇玄德創作論述」，是為了更深入研究探討「現代水墨」創作的多元面相與創新的潛能，並使傳統水墨畫在當代得以延伸，本研究內容包含三大部分； 一、水墨畫之書寫性特徵：重新深入探討中國傳統水墨畫的「書畫同源」，了解文人畫概念下的書畫特徵。傳統中國畫一向是「線條的雄辯」，黑色線條雄霸了上千年的主導地位，而由劉國松所創建的「白線的張力」線型新美學，再次引領時代潮流，建構水墨新傳統，也是石濤名言：「筆墨當隨時代」的最佳精神寫照。 二、水墨畫之繪製性：闡述現代水墨畫「繪製性」的時代意義，試圖建立當代水墨的新傳統，探討水墨與數位科技的應用與實踐。 三、東、西方書寫性或繪製性之相互影響：由劉國松、吳冠中、波洛克、克萊因等大師的作品，可以帶給我們什麼樣的新思維和啟迪，都是值得現代水墨畫家借鑒和深思的。 當傳統水墨的「書法性線條」已非必然，冀望再為新時代的水墨創新提供新的柴火或能量時，一種使命感敦促筆者開始積極投入非筆墨語言的實驗和探索，除了改良傳統水墨的「繪畫性」外，更積極的採用「繪製性」（繪畫性＋製作性）的方式，並嘗試將水墨與數位科技等融合為一體，期許自己能在水墨創作上有所突破，並為人類文化美術史留下一些時代的印記。 關鍵字：書畫同源 有機融合 書寫性 繪製性 數位科技This dissertation explores the multifacetedness and innovation potential in “modern Chinese water ink painting” and incorporatesthe “traditional Chinese water ink painting” into the modern era. This dissertation includes three major parts: 1. Explore the core conceptof traditional Chinese water ink painting: “the combination of painting and calligraphy”, and study the painting and calligraphic features of Southern School. Moreover, “strength in line strokes” has dominated the traditional Chinese water ink painting for thousands of years. However, this concept is now being challenged and revolved by Guosong Liu’s concept: “Influence of white lines”, which paves the way for a new era of Chinese calligraphy and paintings and is similar to Tao Shi’s belief of “painting and creativity are shaped by the current era of thoughts”. 2. A creative modern Chinese water ink painting involving non-traditional media and materials: explore how modern Chinese water ink painting could be combined with digital media and mediums to create new forms of hybrid works which could be a start of a new tradition. 3. Influences and interactions between Chinese water ink paintings and Western art: in this study, we carefully exam how the master’s works shaped each other by examining the creative works of Guanzhong Wu, Guosong Liu, Jackson Pollock, Frank Kline, and others. Conclusion: at the time when traditional “linear” Chinese ink calligraphy is no longer the only and proper method of expression, the effort to provide new elements and hybrid methodologies to fuel the advancement of painting and hybrid works is inevitable. In the hope of incorporating digital media and medium in conjunction with traditional paintings, new forms of Chinese water ink calligraphy and paintings are introduced here and shall bring impacts our society. Keywords：Homogeneous origin of Chinese calligraphy and water ink painting, Organic integration, Calligraphically, Hybrid-painting, Digitalized書畫同源有機融合書寫性繪製性數位科技Homogeneous origin of Chinese calligraphy and water ink paintingOrganic integrationCalligraphicallyHybrid-paintingDigitalized