廖嘉弘LIAO, Chia-Hong楊依哲Yang, I-Che2020-12-142020-03-032020-12-142020http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060590012M%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/111920本論文研究之目的為探討貝多芬第四號交響曲之重要性與價值，首先聚焦於貝多芬所處時代，了解第四號交響曲之作曲背景，而後對作曲手法進行歸納與分析。研究者特意提出此曲第三樂章的創見，相關討論見於正文第一章第三節。 在樂曲分析之外，研究者也嘗試自指揮專業出發，佐以國際樂團著名指揮之詮釋，提出個人之詮釋創見。在篇幅內力有未逮之研究項目，則一併於結論提出，供研究後進參考、指教。This thesis and its objection is to re-recognize the value and importance of Beethoven’s Fourth Symphony. Chapter 1 will be mainly about historic background in Beethoven’s time and, genesis to this work, especially Beethoven’s legacy (both musically and historically) through the third movement of this Symphony. Chapter 2 will be analysis of this work, movement by movement (courtesy of Breitkopf& Härtel and its score). In the third and final Chapter, interpretation (from conductors’ viewpoint) will be discussed. This includes personal opinion/examination to three different interpretations from world-renowned conductors, actual problem at rehearsals, etc. Details between different editions of music will all be issued at the fourth part of this Chapter. The author of this thesis did the best of his ability, contribute to Mandarin-speaking area of the general musical society, through his thesis-working progress.貝多芬貝多芬第四號交響曲伯恩斯坦卡洛斯‧克萊柏提勒曼BeethovenLudwig v.Beethoven Symphony No. 4BernsteinLeonardKleiberCarlosThielemannChristian