陳子鴻Chen, Tzu-Hung李政賢Li, Cheng-Hsien2022-06-089999-12-312022-06-082021https://etds.lib.ntnu.edu.tw/thesis/detail/d15a9dd81a831a88c4a2353bd49bdf44/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117845這份詮釋報告是筆者以一個流行吉他手身份，針對為綠蕨樂團所創作的歌曲，做詞曲創作、編曲的詮釋與專輯製作的分析。首先在文獻探討中，得知以往的獨立音樂往往政治色彩鮮明，把自己的理念訴諸於歌詞上，這樣的做法與當時的主流音樂大相徑庭，隨著時間演變，主流音樂與獨立音樂的界線逐漸模糊，主流唱片不再像以往那樣呼風喚雨，獨立音樂也似乎不那麼激烈對抗資本體制了，大家都在同一條船上，分同一杯羹。最後對整張專輯歌曲作詮釋，此專輯即是以Band Sound（樂團的聲響，主要的樂器有爵士鼓、電貝斯、電吉他、木吉他、鍵盤樂器等）為專輯的主要編曲音色架構，並以吉他作為主要的節奏伴奏或主奏樂器，之中包含了木吉他、電吉他、爵士吉他、吉普賽吉他等，並闡述每一首曲目的靈感發想到詞曲創作的過程與歌曲架構。This written report is an interpretation of the writer’s identity as a popular guitarist in the band Green Fern. It aims to analyze and interpret the lyrics, melody and the creative concepts of Green Fern’s original works. It begins by exploring how in the past, independent, or “Indie” music played a very different role than mainstream music. Indie music was generally associated with colorful political themes and personal concepts. However, over time this line between indie and mainstream music has gradually become blurred. Indie music has not been able to resist the influences of capitalism, becoming, like mainstream music, unwilling to stir up trouble - everybody is now in the same boat, eating from the same pot.It concludes with an interpretation of the entire album, its use of “Band Sound” （The major instruments being jazz drums, electric bass, electric guitar, acoustic guitar, keyboards, etc.） as the main arrangement and tone structure of the album, its use of guitar as the main rhythmic accompaniment or lead instrument, including acoustic guitar, electric guitar, jazz guitar, gypsy guitar, etc., and an elaboration on the inspiration process and creative concept of each song.搖滾搖滾樂團詞曲創作編曲獨立音樂音樂製作RockRock BandSongwritingArrangerIndependent MusicMusic Production作品連同書面報告（藝術類）