劉立行Liu, Li-Sing黃巧文Huang, Chiao-Wen2019-09-042024-12-312019-09-042019http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060572012H%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/99574本研究以吉內特(Gérard Genette)的敘事學理論為框架,針對法國導演米歇龔德里之超現實電影作品的敘事手法與超現實表現手法做探討,了解電影中超現實主義的呈現手法元素;同時嘗試找出作品在超現實表現手法下,於現實反映的意涵及蘊含的意義,進一步提供閱聽人在觀看電影作品時能注意到此類電影文本的表現手法,產生更深層的詮釋與解讀。 研究結果發現,此三個研究對象都採兩條敘事線的方式進行故事,同時反映出了「時空連續」、「心靈探索」及「記憶混亂」的特性,《王牌冤家》與《戀愛夢遊中》此二部電影的題材與記憶、夢境有關,而超現實主義主張夢境的無限性和不受約束性,因此在超現實表現手法上,有許多時間、空間的連續及交錯,事件沒有直接關聯也能前後進行互動和對話,令人有種現實與夢境/記憶合二為一,逐漸分不清現實與夢境、記憶的界線。《泡沫人生》中超現實手法的表現大多是以外在環境、物件的出現隱喻或象徵地反映出角色在劇中的心境,以充滿想像力的表現手法以探索劇中人物的心靈狀態。Based on Gérard Genette's narrative theory, this study explores the narrative techniques and surreal expressions of the French director Michel Gondry's surreal film works, and understands the surrealistic expressions technique in the film; At the same time, it tries to find out the meaning and implication of the works in the surreal expressions method, and further provides the readers to notice the expression of such film texts when watching the film works, resulting in deeper interpretation and interpretation. The study found that the three research objects used two narrative lines to tell the story; meanwhile reflecting the characteristics of "continuous time and space", "mind exploration" and "memory chaos". "Eternal Sunshine of the Spotless Mind" and "The Science of Sleep" The theme of these two films is related to memory and dreams, while Surrealism advocates the infinity and unconstrained nature of dreams. Therefore, in the way of surreal expression, there are many times and spaces that are continuous and interlaced. Events are not directly related, but able to interact and dialogue before and after, makes reality and dream/memory combined into one, gradually distinguishing the boundaries between reality and dreams and memories. The expressions of the surrealistic techniques in "Mood Indigo" is mostly the appearance of the external environment, the metaphor of the object or the symbolic reflection of the character's state of mind in the movie, and the imaginative expression to explore the soul state of the characters .超現實主義米歇龔德里吉內特敘事學surrealismMichel GondryGenette's narratology以吉內特的敘事學框架分析米歇龔德里之超現實電影作品 — 時空連續、心靈探索、記憶混亂Analysis of Michel Gondry’s surreal film works with Ginette's narratological framework - continuity of time and space, spiritual exploration and memory confusion