羅基敏楊艾琳Lo, Kii-MingYang, Irene賴珏妤Lai, Chueh-Yu2024-12-172024-02-022024https://etds.lib.ntnu.edu.tw/thesis/detail/2c4cf210a8797f7309e83fcd004ffc8c/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/123895奧菲莉亞（Ophelia）是莎士比亞（William Shakespeare, 1564-1616）在《哈姆雷特》（Hamlet, 1599-1602）中原創的角色。在《哈姆雷特》複雜且多重的劇情下，相較於其他角色，莎士比亞對奧菲莉亞著墨不多，奧菲莉亞在莎士比亞作品的女性角色中也不是最出名的，但她卻是十九世紀諸多藝術家的靈感來源，經常出現在文學、美術與音樂作品中。許多作曲家以奧菲莉亞的瘋狂場景與死亡場景作為題材創作藝術歌曲，如布拉姆斯（Johannes Brahms, 1833-1897）的《五首奧菲莉亞歌曲》（Fünf Ophelia Lieder, WoO 22, 1873）、史特勞斯（Richard Strauss, 1864-1949）的《三首出自《哈姆雷特》的奧菲莉亞歌曲》（Drei Lieder der Ophelia aus William Shakespeares “Hamlet”, op. 67, TrV 238, nos. 1-3, 1918）、蕭頌（Ernest Chausson, 1855-1899）的〈奧菲莉亞之歌〉（Chanson d’Ophélie, 1896）、白遼士（Hector Berlioz, 1803-1869）的〈奧菲莉亞之死〉（La mort d’Ophélie, 1844）和聖桑斯（Camille Saint-Saëns, 1835-1921）的〈奧菲莉亞之死〉（La mort d’Ophélie, c. 1857）。也有作曲家為整齣《哈姆雷特》創作歌劇，如法契歐（Franco Faccio, 1840-1891）的義語歌劇《阿姆雷特》（Amleto, 1865）和托馬（Ambroise Thomas, 1811-1896）的法語大歌劇《哈姆雷特》（Hamlet, 1868）。 本論文將分析以奧菲莉亞瘋狂與死亡場景為題的藝術歌曲與歌劇，期望藉此梳理各個作曲家對於奧菲莉亞的呈現和闡述，提供詮釋上更多的選擇。Ophelia, an original character created by William Shakespeare (1564-1616) in Hamlet (1599-1602), receives relatively less attention from Shakespeare compared to other characters in this complex and multifaceted play. Though Ophelia is not the most famous female character in Shakespeare’s works, she has become a prominent source of inspiration for many artists in the 19th century, frequently appearing in literature, fine arts, and musical works. Composers often use Ophelia’s mad and death scenes as themes for art songs, include Fünf Ophelia Lieder (WoO 22, 1873) by Johannes Brahms (1833-1897), Drei Lieder der Ophelia aus William Shakespeares “Hamlet” (op. 67, TrV. 238, nos. 1-3, 1918) by Richard Strauss (1864-1949), Chanson d’Ophélie (1896) by Ernest Chausson (1855-1899), La mort d’Ophélie (1844) by Hector Berlioz (1803-1869), and La mort d’Ophélie (c. 1857) by Camille Saint-Saëns (1835-1921); or they adapt the entire Hamlet for operas, include Amleto (1865) from Franco Faccio (1840-1891) and Hamlet (1868) from Ambroise Thomas (1811-1896).This study aims to analyze art songs and operas that focus on Ophelia’s mad scene and death scene, intending to explore how various composers present and interpret Ophelia, thereby providing more choices for interpretation.奧菲莉亞莎士比亞哈姆雷特瘋狂場景死亡場景OpheliaWilliam ShakespeareHamletmad scenedeath scene學術論文