孫翼華Sun, Yi-Hua顏麗琴Yan, Lih-Chyn2025-12-092025-01-032025https://etds.lib.ntnu.edu.tw/thesis/detail/16cac43df1bf41eaa7ca7827828edf6b/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/126104《拾花入夢》彩墨創作論述，以中國古典小說《紅樓夢》為研究文本，中外學者對其深入研究，如織造服飾、宴飲美食、人物描寫、園林建築、詩詞花卉，都是表現傳統美學的觀念，展現傳統藝術的精華。筆者想探究的是，曹雪芹以花隱喻紅樓女子的品格與命運，以及傳統封建禮教下女性的地位。透過繪畫藝術表達女性內心的藩籬枷鎖的處境，以彩墨彰顯紅樓中一片繁花似錦，多彩多姿的樣貌，以及對幸福的感受與期盼。論文研究分為五大部分：第一章緒論，主要闡述筆者的研究動機與目的、研究內容與範圍、研究方法以及名詞釋義。第二章為文獻之探討，試以明清時代的女性地位與自覺、《紅樓夢》女性角色「以花喻人」隱喻、形式探討以現代人物畫與花卉畫做深入探究，並探析現代人物畫融入墨與彩的交融，工筆白描及重彩畫與心靈的交織，繁花三千與膠彩的相遇，藝術家作品探析、大觀園的園林藝術。第三章探討創作理念與創作實踐。第四章是個人創作作品解析，作品以三個系列創作《以花喻人‧紅樓煙雲》、《 繁華三千‧花影扶疏》、《 珍愛幸福‧浪漫情懷》系列，主要以創作的思維、內容、形式技法，進行深入的探索。第五章結論，敘述本文的創獲心得，以及對未來創作的展望。Gathering Flowers into Dreams centers on the Chinese classical novel Dream of the Red Mansions as its primary reference. Scholars from both Chinese and Western traditions have extensively studied the novel’s weaving and clothing, feasts and culinary arts, character portrayals, garden architecture, poetry, and flora, all of which collectively reflect traditional aesthetic values and the essence of classical art.This thesis explores Cao Xueqin’s use of flowers as metaphors for the character and fate of the women in the novel, as well as their status under the constraints of feudal etiquette. Through ink-and-color painting, this thesis seeks to depict the inner barriers and restraints faced by these women. By presenting the vivid and diverse imagery of blooming flowers in Dream of the Red Mansions, the thesis expresses aspirations for happiness and offers a visual interpretation of the novel’s rich and profound themes.This thesis is divided into five main parts: Chapter One, the Introduction, outlines the research motivation and objectives, scope, methodology, and definitions of terms. Chapter Two discusses the theoretical foundations, examining the status of women and their self-awareness under the feudal rites of the Ming and Qing dynasties. It explores the metaphor of"Flowers as Metaphors for People," analyzing significant flowers and their related meanings. This chapter also provides an in-depth analysis of the integration of ink and color in modern figure and flower painting, examining the interplay between meticulous outline drawing and heavy color painting, as well as the expression of spirit. It also covers the interaction of a myriad of blossoms with Chinese gouache, along with an analysis of relevant artists' works and the garden art of the Grand ViewGarden. Chapter Three focuses on creative concepts and practices. Chapter Four presents a personal analysis of creative works, highlighting three series:"Flowers as Metaphors for People: The Mists of the Red Chamber," "A Thousand Blossoms: Shadows of Flowers," and "Cherished Happiness: Romantic Sentiments," with an in-depth discussion of creative thought, content, and techniques. Chapter Five concludes with reflections on insights gained through this research and prospects for future creations.拾花入夢以花喻人女性自覺特殊技法Gather flowers and enter into dreamsFlowers as Metaphors for PeopleFemale consciousnessSpecial Techniques學術論文