郭博州Kuo, Bor-Jou謝文倩Hsieh, Wen-Chien2024-12-172024-06-272024https://etds.lib.ntnu.edu.tw/thesis/detail/269755b1dbb6d47927de792401e38f2f/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/124023藝術應是對於社會、文化發展和變遷的反射，藝術是時代的鏡子。但是重要的是，藝術不僅是一種直接的反應，而是藝術家經由時代的推力，以及藝術家內部沉澱的思想、批評、反省、激勵或者思辨的表達。本創作研究旨在，如何藉由觀察法、藝術社會學研究法、理論分析法等之研究，映照出時代的精神，在自己的繪畫創作中建構出具有臺灣在地性的內容，並以此作為創作核心，將在地人們的情感、觀點、理想及信仰所營造出的社會，文化現象，豐富且多元地呈現在作品之中。由於筆者過去三十年來從事律師的職涯，工作內容與人和人間的接觸、社會問題的衍生息息相關，對於臺灣社會、文化充滿熱誠及關懷，經常以觀察者的角度，企圖去理解社會、文化問題的成因。同時對於這幾年對應在筆者個人身上最有感受的臺灣社會、文化變遷部分，經由覺知、體會試圖以藝術創作去描繪臺灣現象，這其間有屬問題嚴峻者，有屬臺灣社會所獨特具有的現象，即：人口結構改變問題、自然環境重大變遷及特色宮廟文化三大類。藝術之核心，永遠來自於人類自覺的主體性，而非根源於任何既定的框架與現成的權威。人文的研究，就是一種理想性的追求，一種超越思想的壓迫箝制。臺灣現今面臨前述三大類社會、文化變遷的挑戰，雖說相當的複雜化，實則保留了創造新形態藝術的契機，筆者企圖運用此契機，另一方面為達作品訊息傳遞、互動及溝通的最大可能性，因此筆者選擇抽象、具象融合、游離及不確定性的「居間性」的表現手法，充分使人口結構改變、自然環境重大變遷及特色宮廟文化三大系列的藝術創作，富含具象、抽象以及超現實思維混合交融的創新空間與自由，而建構衍生多元詮釋性及變異可能性的藝術形式。最後筆者期許透過與社會脈動相結合的本論文所涵蓋的三系列藝術創作，能夠體現當代社會、文化一切正面積極與反面矛盾因素的現象，來關懷及反映社會各種不同面向的問題。更加期許本論文所涵蓋的三系列藝術創作能以理性幽默、詼諧的角度出發，賦予作品嶄新、獨特的魅力，且於不同的觀賞者間持續產生不同交流、變異、變動的意象，以彰顯時代性與衍生無限可能的意涵與特徵。Art should be a reflection of social, cultural development and changes. Art is a mirror of the times. However, the important thing is that art is not only a direct reaction, but also an expression of the artist's push through the times and thoughts, criticisms, reflections, inspirations or struggles accumulated within the artist. The purpose of this creative research is how to reflect the spirit of the times through observation methods, art sociology research methods, theoretical analysis methods, etc., and construct content with local characteristics in Taiwan in one's own painting creations, and use this as a creative core to present the local people's emotions, opinions, ideals and beliefs in the artworks in a plentiful and diverse way.Since I have been in a lawyer career for the past thirty years, my work is closely related to human contacts and the derivative issues of societal problems. I am full of enthusiasm and care for Taiwanese society and culture. I often attempt to understand causes and phenomena of social and cultural issues from the perspective of an observer. Simultaneously, reflecting on the changes in Taiwanese society and culture that I have personally experienced in recent years, I try to depict the current state of Taiwan through artistic creation, guided by awareness and experience. Some of these are serious problems, and some are unique to Taiwanese society. The phenomena are aging of population, significant changes in the natural environment and the distinctive temple culture. The core of art always comes from the conscious subjectivity of humanity, rather than being rooted in any predetermined framework or established authority. Humanistic research is an ideal pursuit, a transcendent endeavor beyond the constraints of oppressive thoughts.Although the challenges of the three major social and cultural changes mentioned above in Taiwan today are quite complex, they actually retain the opportunity to create new forms of art. I am trying to use this opportunity to maximize the message transmission, interaction and communication of the artworks. Therefore, I chose the"intermediacy" expression technique of abstraction, figurative fusion, dissociation and uncertainty to fully make the three series of artistic creations plentiful in concreteness, including the aging of population, significant changes in the natural environment and the distinctive temple culture. The innovative space and freedom of blending , abstract and surreal thinking achieve a form that derives multiple interpretations and variable possibilities. Finally, I hope that through the three series of artistic creations covered in this thesis, which are combined with the pulsation of society, they can reflect the contradictory phenomena of all positive and negative factors in contemporary society and culture, and care for and reflect various issues in different aspects of society. It is further expected that the three series of artistic creations covered in this thesis can start from a humorous perspective and endow the artworks with a new, unique charm, and continue to generate communicative, mutated and changing images among different viewers, so as to highlight the meaning and characteristics of the times and infinite possibilities.崛起後自然環境變遷不婚不生宮廟文化after the economic rise abruptlychanges in the natural environmentnon-marriage and non-birthtemple culture學術論文