程代勒Cheng Dai-Le陳一心Chen Yi-Hsin2020-12-102010-7-52020-12-102010http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0696600341%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115395　　本研究主要從心靈圖像之自我意識的衍生為出發點，並探討當代的精神意義，經由個人對心靈的自我對話，從中達到精神象徵方面的符號傳遞，間接地從自我意識的層面，檢視內在的心理情緒，並從每個行為所反應出的幻想式圖像，由中去分析每個所隱含的語言，試圖將此論點與特性，與創作的圖像產生關聯。 　　除此之外，並借由著名的心理學家卡爾‧古斯塔夫‧榮格(Carl Gustav Jung , 1875-1961)的「集體潛意識」(Collective unconscious)為軸心，依據「原型」(Archetype)、暗影(Shadow)等觀點，透過論述的同時，也將自身的創作與此做相關的分析統整，使創作的無意識精神性書寫從中與有意識的自我情緒再連結。 　　由潛意識的方向切入，探討個人在記憶、幻想等的思考行為模式，尋找更具多元性的途徑，呈現畫面中的每個心理狀態，再經由繪畫風格的構成和形式，轉而以遊戲的方式進入閱讀的檢視，並分解視覺藝術的語義，以具抽象變形、扁平式的空間等等概念去闡述內在精神性的純粹書寫。 　　將此想法延續到繪畫上的形式分析，並運用畫面的佈局安排、視覺性的焦點處理去營造畫面的視覺性，再透過特殊質感的基底材去呈現情境，也帶入電腦繪圖方面的搭配，嘗試更多畫面的設計，使兩者融入想法之中，創造更多的可能性，也對傳統水墨的符號語言做思考性的探討，試圖由中形塑個人特質並再造水墨新的語彙。　　This research thesis mainly focuses on the derivation of mind images in self-awareness as the starting point, and discusses the energetic significance of contemporary art. By the way of self-dialogue, this achieves the spiritual aspects for the symbol transmission. From the self-awareness, this thesis inspects indirectly of the intrinsic psychological mood, responses each behavior for the fantastic images, and analyzes each concealed language. In addition, this research thesis attempts to allow this argument and the characteristic to have the connection with the creational images. 　　Besides, taking advantage of famous psychologist, Carl Gustav Jung (1875-1961), I use the idea of “collective unconscious” as the axel of this thesis. Through elaboration of viewpoints such as archetype and shadow at the same time, this connects with my own creation and make an analysis which links the creation of unconsciousness psychic writing and the consciously self-mood together again. 　　Cuts thorough into direction of unconscious, the discussion focuses on memory, fantasy and so on the behavior of thoughts. Seeking variety of ways, this presents each picture with psychological idea. Again, by the way of the drawing style, constitution and form, transfers the way of play into the inspection of reading. Also, images are decomposed by the semantics of visual art. As a result, concepts of abstract distortion and flat -like space elaborate purely writings of intrinsic spirituality. Continues this idea with the drawing in the form of analysis, and uses the layout arrangement of pictures, the process of visual focal point builds up visualization of pictures. The situation is represented through special types of material medium. This is also mixed with the computer cartography which attempts many different styles of picture design. Both integrate with the ideas, create more possibilities, and also make the idealistic discussion of symbolic language for the traditional Chinese ink painting. Therefore, this causes to model individual special characteristic and to create new vocabulary for the Chinese ink painting.集體潛意識原型collective unconsciousarchetype