許瑞坤Hsu, Jui- kun鄭舜文Jeng, Shuen-wen2019-09-052016-06-302019-09-052011http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0694640012%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/107052　　〈項祖華的揚琴藝術研究〉主要藉由「音樂經歷之探討」、「作品分析」，探究「項祖華揚琴藝術的風格特徵」，從中具體說明其作品文學性、民族性、創新性，以及「標題‧意境‧形象化」的樂曲詮釋新見解，並此具現項祖華作品創作的美學思想。 　　其中，第二章主以「立足傳統‧廣採博納」為題，探討項祖華前期〈彈詞三六〉、〈霓裳曲〉等十首改編作品；第三章主以「技巧精煉‧氣勢開展」為題，由〈林沖夜奔〉、〈竹林湧翠〉等十五首，探討項祖華中期「左右全能、點線有緻、曲直兼濟、縱橫交織 」十六字訣理論的創作實踐；第四章主以「形式變化‧開創新局」為題，探討項祖華後期〈神山聖水〉（電子配樂）、〈梁祝‧蝴蝶琴韻〉（雙揚琴）創新演奏形式。 　　第五章則以「樂」之意象、「形」之改變、「體」之多樣，細述項祖華以揚琴藝術中「標題‧意境‧形象化」三個環環相扣的美學思維與創作影響，並此突顯項祖華在教學、創作、展演、科學研究的卓越成就與貢獻。The Research on Xiang Zu-Hua’s Yangqin Art aims to illustrate the literariness, originality, and nationality revealed in Xiang’s works through the background study, musical analysis and probing into the distinct features in Xiang’s Yangqin Art s, and also to express Xiang’s aesthetics of music through his new aspect of interpretation on the “Topic, Images, and Visualization.” The research consists of five chapters. The chapter two is concerned with Xiang’s early period: Inheritance and eclecticism. It is to primarily investigate his ten adapted works like The Tanci San-Liu as well as Music of the Rainbow-Cloth Dance. In chapter three, it is about Xiang’s middle period: the superb techniques and tremendous momentum, and to illustrate his practice of composition following his sixteen-word formula— ask for the highly hand independence and coordination, the fusion of distinct merits of striking and bowing instruments, the application of portamento and the textural abundance— on the case of his fifteen compositions such as Lin Chung’s Fleeing by Night and Green Bamboo Forest. Next, chapter four aims at probing into the novel forms of performance in Xiang’s late period—variations and innovations—on the cases of the electronic incidental music Nature Worship and the duo double yangqin The Butterfly lovers. Last but not least, Xiang’s aesthetics of music, the chain of “Topic, Images, and Visualization” in his aesthetic concept and composing practice, is expanded in chapter five through the images of music, the changes of pattern and the diversity of form. The research result further displays Xiang Zu-Hua’s achievement and contribution in the aspects of teaching, composition, performance and scientific study.項祖華揚琴音樂創作林沖夜奔揚琴藝術Xiang Zu-HuaYangqinYangqinmusical compositionLin Chung’s Fleeing by NightYangqin Art