吳宥鋅Wu, Yeou-Xin鐘素慧Chung, Su-Huei2024-12-172024-06-242024https://etds.lib.ntnu.edu.tw/thesis/detail/8b239464e2001c635b8b26c2fc890b58/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/124031本創作論述筆者在二O二一年至二O二四年間所研究創作,《自然‧蔓延》,在研究過程中不斷探尋生態脈絡、互動關係、自然變異,並研究剖析描繪自然生態中珊瑚同步產卵自然循環現象,梳理後發想「原貌、共生、繁衍、變遷系列」,以現象、符號、色彩象徵所隱喻的自然或心理現象。 筆者以「珊瑚」獨特多樣性來形塑圖像並連結個人生活經歷或現代社會環境的生活樣貌,來詮釋出人與自然環境之間的關係,並思索現實生活與心靈世界中存在的各種矛盾與感知,而從創作過程來自我省思與療癒。在理論探索研究中,從海洋的角度進行,探索珊瑚的形態和重要性,並逐漸擴展到人文、生態科學等領域。以此起點延伸出文化、心理、美學等藝術層面的對話,意識到自然環境與人類之間相互依存的關係。隨著研究的深入,也將哲學、心理學以及美學等層面納入探討,藉此提升自己的藝術素養。同時,透過海洋與人文相關的文化藝術活動,投射到社會議題的討論中,用藝術創作表達對現代社會的關切和生活的想像。自然環境中的各種景象和生物都有其獨特的習慣和意義,這促使我反思個人與環境的關係。在自然環境中,我感受到最深刻的物象,並將這些體驗轉化為對生命本質(悲歡離合)的思考,認識到生命中的起伏不過是自然規律的一部分,把握當下,積極地面對生活。將創作主題分四個系列,內容從「原貌」系列的創作來表述個人對現代社會生活寫照與療癒;延伸個人或社會互動關係「共生」系列,來傳遞人與人之間中群組的互相依賴或競爭關係;再來「繁衍」與「凋零」系列來表述生態環境中生與死的自然蔓延與突發環境異常現象,喜樂悲傷編織内心的記憶與烙痕!藉由創作的過程來淨化或緩和心靈中的創傷與流露自然樣貌就如生命經歷的記錄片。筆者在創作形式上不斷分析、解構與重新組合媒材與技法,並融合東西方藝術的思維與美學,在創作的過程中獲得不同的經驗與感受,以彩墨與多元流動技法創作在畫面上,形成特殊肌理紋路,期望達到互補互融和諧的情境,形塑新的個人視覺語彙。The creative discourse of this report,"Nature‧Spread" has been conducted between 2021 and 2024, explores ecological contexts, interactive relationships, and natural variation. It analyzes and depicts the natural phenomenon of coral spawning synchrony within the ecological framework, conceptualizing the series of "original appearance, symbiosis, propagation, and change" after sorting through. It employs phenomena, symbols, and colors to symbolize hidden natural or psychological phenomena. Whiter shapes images using the unique diversity of "coral" and connects them with personal life experiences or the living conditions of modern social environments, interpreting the relationship between humans and the natural environment. It contemplates various contradictions and perceptions existing in real life and the spiritual world, and engages in self-reflection and healing through the creative process. In theoretical exploration and research, starting from the perspective of the ocean, we delve into the morphology and significance of coral, gradually expanding into fields such as humanities and ecology. From this starting point, conversations extend to cultural, psychological, and aesthetic aspects, recognizing the interdependence between the natural environment and humanity. As research deepens, philosophical, psychological, and aesthetic dimensions are also incorporated into the discussion to enhance one's artistic literacy. Simultaneously, through cultural and artistic activities related to the ocean and humanities, we engage in discussions on societal issues, expressing concerns about contemporary society and imaginings of life through artistic creation. Various scenes and creatures in the natural environment have their unique habits and meanings, prompting personal reflection on the relationship between oneself and the environment. In the natural environment, I encounter the most profound phenomena and transform these experiences into reflections on the essence of life (joys and sorrows, partings and reunions), realizing that the ups and downs of life are just part of the natural order, embracing the present moment, and actively facing life.The creative theme is divided into four series: starting with the"Original Appearance" series to depict personal reflections on and healing; extending to the "Symbiosis" series to convey the interdependence or competitive relationships between individuals or groups in personal or societal interactions; then moving on to the "Propagation" and "Decline" series to depict the natural propagation of life and death in the ecological environment, as well as sudden environmental anomalies, weaving the memories and imprints of joy and sorrow within the heart! By the process of creation, one purifies or mitigates the traumas within the soul and expresses the natural essence, much like a documentary of life experiences. The author continuously analyzes, deconstructs, and reassembles media and techniques, merging Eastern and Western artistic thoughts and aesthetics. Through this creative process, they gain diverse experiences and emotions. Using ink and various fluid techniques on the canvas, they create unique textures and patterns, aiming to achieve complementary and harmonious situations, shaping a new personal visual vocabulary.珊瑚珊瑚白化海洋人文共生彩墨自然蔓延意象流動技法CoralCoral BleachingOceanHumanitiesSymbiosisInk and ColorNatural PropagationImageryFluid Techniques自然·蔓延—鐘素慧水墨創作論述 以海洋與人文的藝術對話Nature.Spread - an artistic dialogue between ocean and humanityof the creative discourse of Chung,Su-Huei’s Ink Paintings學術論文