吳舜文Wu, Shun-Wen王蕾寧Wang, Lei-Ning2020-12-142020-02-242020-12-142020http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060690010M%22.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/111929本研究旨在探討芭蕾舞劇中音樂與舞蹈之關聯性，採取內容分析法。並以浪漫芭蕾舞劇《吉賽兒》為研究對象，選取樂譜與影像文本進行分析。研究者經由文獻探討歸納出，芭蕾舞劇的音樂與舞蹈可共同透過時間、空間、重力、流動等元素分析。每一項元素皆包含二項次元素，時間包含突然、綿延；空間包含直接、迂迴；重力包含強力、輕飄；流動包含拘束、流暢。本研究以此為依據，自編「音樂元素與舞蹈元素於芭蕾舞劇內容分析類目表」為研究工具，逐一探討《吉賽兒》中音樂與舞蹈之對應關係。若兩者呈現完全相同性質，則歸類為同步性；若兩者呈現完全相反性質，則歸類為相對性；若兩者於同一曲中同時呈現同步性與相對性，則歸類為同化性。本研究主要結論如下： 一、芭蕾舞劇《吉賽兒》中，時間、空間、重力、流動等四項音樂元素分析，次元素所佔比例達五成以上為時間綿延（68%）、空間直接（71%）、重力輕飄（53%）、流動流暢（74%）。 二、芭蕾舞劇《吉賽兒》中，時間、空間、重力、流動等四項舞蹈元素分析，次元素所佔比例達五成以上為時間突然（55%）、空間迂迴（57%）、重力強力（54%）、流動拘束（61%）。 三、芭蕾舞劇《吉賽兒》中，時間、空間、重力、流動等四項元素分析之對應關係，皆以同化性所佔比例最高（時間77%、空間86%、重力65%、流動72%），其次為同步性（時間20%、空間12%、重力20%、流動22%），最低為相對性（時間3%、空間2%、重力15%、流動6%）。 最後，根據研究結論提出建議，提供未來相關研究參考。The purpose of this study was to understand the corresponding relationships between music elements and dance elements of ballet and adopt a content analysis method. This study took the romantic ballet "Giselle" as the research object, using music scores and videos for analysis. After classifying relevant literatures, the researcher found the music and dance of ballet can be analyzed through four elements like time, space, weight and flow. Each element contains two minor elements, time contains sudden and sustain; space contains direct and indirect; weight contains strong and light; flow contains bound and free. According to this, the researcher developed and employed the “Analysis Category of Music and Dance Elements in Ballet” to collect data in order to achieve the research purposes. The corresponding relationships in this study had three situations, synchronicity means the music elements and dance elements present the exact same nature; relativity means the music elements and dance elements present the exact opposite nature; assimilation means both synchronicity and relativity were in the same piece. The major conclusions of this study were as follows: 1. The music minor elements that occupy more than 50% in “Giselle” are sustain of time (68%), direct of space (71%), light of weight (53%), and free of flow (74%). 2. The dance minor elements that occupy more than 50% in “Giselle” are sudden of time (55%), indirect of space (57%), strong of weight (54%), and bound of flow (61%). 3. According to the analysis results of the corresponding relationships between music and dance in “Giselle”, assimilation accounts for the highest proportion (time 77%, space 86%, weight 54%, flow 61%), next is synchronicity (time 20%, space 12%, weight 20%, flow 22%), and relativity accounts for the lowest (time 3%, space 2%, weight 15%, flow 6%). At last, the researcher proposed relative suggestions based on the research results for the future researchers.舞蹈音樂對應關係芭蕾舞劇吉賽兒Dance musicCorresponding relationshipsBalletGiselle