李筱峰廖瑞銘廖秀齡2019-08-292010-9-12019-08-292010http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0095262117%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/93201葉俊麟，tshìng kah lia̍h-bē-tiâu ê台語歌謠作詞家，一生創作數千首台語歌詩。伊以本身ê天份，巧妙運用各種文學技巧，呈現特有ê藝術美感，用上貼近台灣土地ê語言多樣又多情來呈現時代ê人、事、時、地、物，反映社會ê形象kap人民ê生活面貌。在過去，伊攏 hông 以作詞家ê身份，歸入音樂娛樂界來看待，極加針對社會學ê層次來探討伊歌詞ê歷史背景、政治環境、社會文化等。到tann，對葉俊麟創作ê文學、語言面向ê研究猶真少，更加免講khǹg tī台灣文學史ê角度來探討。 本論文以葉俊麟歌謠創作做主體，關照仝時代台語流行歌ê題材內容、書寫技巧、文學語言。筆者觀察 tio̍h作詞家經歷過兩个無仝政權e統治。伊將家己ê性命經驗寫入歌詞內面，無論是台灣ê都市生活、鄉村生態、地理歷史、人文社會樣貌等；尤其寫各種人物e時深入koh活跳。葉俊麟ê詞作充滿移景入情、浪漫豐富ê敘述技巧，以書面語描寫出雅緻情懷ê文學意境，tī靈活自然siak-phah ê口語中呈現出多樣性ê文學語言興味，承接台灣民間歌謠kap日治時期創作歌謠ê台語文學精華。葉俊麟M̄-nā展現本身tī六○年代精煉台語詩歌ê成就，就算是近來以台語創作ê作詞家kap台語純文學創作者ê作品，tī文學層次mā相當受葉俊麟以及仝時代作詞家ê影響。 Tī台灣文學史ê角度，葉俊麟kap仝時代ê作詞家就是1980年代以來台語文學書寫ê先行者。台語文學，uì台灣民謠puh-ínn、釘根tī台語流行歌，到書寫庶民生活ê純文學創作，一脈相傳m̄-bat斷過。Iap Chun-lin is an outstanding Taiwanese lyricist, who composed thousands of lyrics in his whole life. With gifted talents, he deftly applied various literary techniques to present unique aesthetics. By utilizing the local vernacular, he affectionately described people, things, times, venues and objects in Taiwan society, reflecting its diversity as well as varied life styles and features of the common people. In the past, he was usually classified as a pop music lyricist. While some researchers focused on the historical and sociological background, political milieu, social culture, etc of his lyrics, few really explored the literary or linguistic dimension of his work. Needless to say, there are almost no perspectives of Taiwanese literary history on his work. This thesis focuses on the works of Iap Chun-lin, exploring the topics and context, writing techniques, and literary language of contemporary Taiwanese pop lyrics. The author discovers the lyricist himself experienced the radical change of two colonial regimes. He integrated his personal experience into his lyrics, including the daily lives in the urban or rural areas, natural environment or history as well as the cultural diversity of Taiwan society, especially the vivid figures of different social strata. Iap Chun-lin’s lyrics abound in imaginative, affectionate and romantic descriptions. He highlighted the artistic conception of elegant feeling with written words, presented the interest in diverse literary language with a nimble, natural and exact grasp of the local tradition that had been passed down through literature in the areas of folksongs and of the created lyrics developed in the Japanese era. Iap Chun-lin, in association with contemporaries, have showed not only the achievements of their devotion to the refinement of Taiwanese lyrics in the 1960’s, but also have transmitted a rich literary heritage to all Taiwanese writers and lyricists of future generations. According to our general understanding of Taiwanese literary history, Iap Chun-lin and contemporaries are the predecessors of Taiwanese writers of the 1980’s. Their works all belong to a long tradition of Taiwanese literature since time immemorial, which is characterized as deeply rooted in folk songs, pop music and more recent literary creation of daily lives of the common people.葉俊麟台語流行歌台語歌謠台語文學台灣文學史Iap Chun-linTaiwanese pop songsTaiwanese balladsTaiwanese literatureTaiwanese literature history