孫翼華Sun, Yi-Hua翁子枚Weng, Tzu-Mei2025-12-092026-07-242025https://etds.lib.ntnu.edu.tw/thesis/detail/10a4fc301efa0ff2cb7a8398b0170c5f/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/126120本研究透過藝術創作探討人類內心對於未知的恐懼、不安與疏離等本能性情緒，並以神話意象為基礎，進一步解析這些情緒在當代社會中如何表現與轉化。筆者結合榮格心理學與神話原型理論，深入分析中華史前神話意象，並將藝術作為探索內在情感、生命經驗與社會互動的媒介，透過作品呈現對人性本質及生命意義的哲學性思考，進而喚起觀者的共鳴與反思。本論文分為六個章節進行分析：第一章緒論說明研究動機與目的、研究內容與限制，以及研究方法；第二章從神話原型、史前神話和動物意象出發，探討恐懼、寄託等情感的普遍性與象徵意義；第三章則透過藝術創作中的陰影、異獸符碼等表現方式，分析當代藝術家作品，展示內心意象如何轉化為視覺藝術；第四章聚焦筆者自身的繪畫創作，探討創作理念、符號與技巧，並深入個人對現實與幻想的思辨；第五章為作品的個別解析，整合藝術實踐與理論脈絡；第六章總結論述，回顧創作歷程與反思，提出未來創作的展望。This study explores inherent human emotions such as fear, anxiety, and alienation toward the unknown through artistic creation, utilizing mythological imagery to further analyze how these emotions manifest and transform within contemporary society. Integrating Jungian psychology and mythological archetype theory, the author deeply examines prehistoric Chinese mythological symbols. Art serves as a medium to investigate inner emotions, life experiences, and social interactions, presenting philosophical reflections on human nature and the meaning of life through creative works, thereby evoking resonance and reflection among viewers.The thesis is structured into six chapters. Chapter One, the introduction, presents the research motivation and objectives, the scope and limitations of the study, and the research methodology. Chapter Two explores the universality and symbolic meanings of emotions such as fear and dependence through the lenses of mythological archetypes, prehistoric myths, and animal symbolism. Chapter Three analyzes contemporary artworks, emphasizing expressions such as shadow imagery and mythical beasts, demonstrating how internal imagery translates into visual art forms. Chapter Four focuses specifically on the author's own paintings, examining creative concepts, symbols, and techniques, and engaging deeply with personal contemplation on the boundaries between reality and fantasy. Chapter Five provides detailed analysis of individual artworks, integrating artistic practice with theoretical frameworks. Chapter Six concludes the thesis by reviewing the creative process, reflecting upon insights gained, and proposing future creative directions.神話意象原型史前神話恐懼焦慮動物繪畫創作Mythological ImageryArchetypesPrehistoric MythologyAnimalsFear and AnxietyPainting Creation學術論文