陳漢金Chen, Han-Jin姚偉奇Yao, Wei-Chi2019-09-062019-09-012019-09-062016http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G0699900065%22.&%22.id.&http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/108309　　佛瑞(Gabriel Fauré, 1845-1924)一生寫作約60首鋼琴作品，早期的鋼琴曲悅耳動聽，為他贏得名聲，卻也蒙上「沙龍作曲家」的陰影，即使到現在都還揮之不去。然而，研究佛瑞最重要的兩位學者納圖(Jean-Michel Nectoux)和歐雷舉(Robert Orledge)在文獻中均提到，佛瑞的音樂語言約在1900年至1905年間發生劇烈變化。學者將佛瑞創作分為三期，1906年至1924年佛瑞去世形成一個時期──第三期／晚期，其間創作的作品帶有獨特的「晚期風格」。也就是說，佛瑞在1906年以後創作的鋼琴作品非常可能具有「晚期風格」，或呈現了「晚期風格」的某些特徵。這些作品約佔佛瑞鋼琴作品總量的三分之一。 　　本論文以佛瑞第三期所創作的鋼琴作品為研究對象，包含了：《第八號船歌》至《第十三號船歌》、《第九號夜曲》至《第十三號夜曲》、《第五號即興曲》，以及《九首前奏曲》。在架構出1850年至1925年法國音樂及法國鋼琴音樂的歷史脈絡，並回顧佛瑞生平及早期鋼琴作品之後，先逐首分析樂曲的形式結構及音樂特徵，再從下列四個面向，整合歸納佛瑞晚期鋼琴作品的音樂特徵：調性／調式／和聲、旋律、節奏與節拍、織度。Gabriel Fauré has written approximately 60 piano works throughout his compositional life. His early piano pieces, very charming, have won him fame but posited him as a “salon composer.” This historical judgement – Fauré as a salon composer – has remained intact into the twentieth-first century. According to two most prominent Fauré scholars – Jean-Michel Nectoux and Robert Orledge, Fauré’s style underwent radical change during the period from 1900 to 1905. That is, piano works composed after 1906 very likely exhibit “late style,” or certain features of “late style.” These compositions consist of a third of Fauré’s output of piano works. This thesis takes Fauré’s piano works in third period as its subject, including Barcarolle No. 8 to 13, Nocturne No. 9 to 13, Impromtu No. 5, and Nine Préludes. After constructing the historical context of French music and French piano music from 1850 to 1925, and briefly reviewing Fauré’s biography and early pianoworks, this study first analyzes the musical structure and stylistic characteristics of each piece, and attempts to generalize and summarize Fauré’s third-period piano works from the following aspects: tonality and harmony, melody, rhythm and meter, texture.佛瑞法國鋼琴音樂晚期風格船歌夜曲前奏曲Gabriel FauréFrench piano musiclate stylebarcarollenocturneprélude