賴秀綢Lai, Hsiu-Chou林靖婷Lin, Ching-Ting2022-06-082021-09-082022-06-082021https://etds.lib.ntnu.edu.tw/thesis/detail/e1cc633dc01599c47bea51621e82aba1/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/117096二十世紀，是一個音樂創作多元且文化融合的時代，新穎的現代作品便於此時問世。香港作曲家羅永暉便是一位專職現代音樂的作曲家，除了擔當無極樂團的藝術總監外，其作品亦在國際舞台上獲獎無數。自稱一人劇場的羅永暉創造的意境音樂劇場中，完成於2016年的《人淡如菊》在首演後大獲好評。其中，同名的琵琶獨奏曲《人淡如菊》旋即為此劇場之代表曲目。在作曲家的執筆下，廣受歡迎，堪稱意境音樂劇場的經典作品之一。本篇論文，針對琵琶獨奏曲《人淡如菊》的音樂元素、劇場語彙、演奏詮釋上進行整理與分析。全文共分為五章。方法上，為探討本篇研究內容的寫作、文獻整理以及寫作方向。結構上，為探究本作品之架構及其動機。技術上，為將筆者演奏之詮釋以及技巧。希冀，透過本論文，留下具參考價值的學術文章，為未來學子盡一份棉薄之力。The 20th century, an era defined by musical innovations and cultural fusion, witnessed the birth of contemporary classical music. Hong Kong composer Law Wing-fai is an example of one who specifies in such style of music. Besides serving as the artistic director of Wuji Ensemble, he has received countless international awards for his works. Labeling himself as “Solo Theatre,” Law was highly praised for the atmospheric music theatre he created in the “Tranquil as a Chrysanthemum” in 2016 after its premiere. The Pipa solo with the same name featured in the production also rose to become its signature piece and one of the classics in atmospheric music theatre.This paper will dissect and analyze the musical elements, theatrical vocabularies, and performance interpretations of the “Tranquil as a Chrysanthemum” Pipa solo. It is divided into five sections. Methodically, it will explain the writing, collection of past literature, and direction of the research. Structurally, it will explore the purpose and framework of examining the musical piece. Technically, it will evaluate the skills and performance interpretations of the author. This paper could hopefully be a valuable reference for future students who are interested in learning more about relevant topics.琵琶羅永暉人淡如菊意境音樂劇場pipaLawWing-FaiTranquil as a ChysanthemunAtmospheric Music Theatre專業實務報告（專業實務類）