王瓊麗Wang, Chiung-Li林慧怜Lin, Hui-Lin2022-06-072022-01-142022-06-072022https://etds.lib.ntnu.edu.tw/thesis/detail/253d03130b99c3fa2d09784c679be779/http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116347對著風景寫生多年，嘗試了許多形式的表現風貌，進了夢寐以求的國立台灣師範大學美術研究所，於是想嘗試不同的主題、不同的媒材來表現內在澎湃的情感，追求繪畫形式的自由，探索畫面的新美感印象，讓自己化身為《莊子〈逍遙遊〉》一文中描述的鯤或鵬，於是思想騰飛，上天下地，盡情翱翔；我的繪畫世界，忽地自由自在起來，無論在繁華都會城市光廊中，抑或在山巔海濱的純樸自然中，開始用繪畫記錄我的游移的狀態與足跡，融入心中對生活的省思。本創作論述，爬梳當代各種美術主義文獻、思考脈絡，透過學習歷程，進行個人的創作實踐。主體架構分為兩個系列：（一） 真實系列～呈現在視象的景物。以具象寫實的方法，創作旅遊寫生的系列，描繪出對大自然的熱愛與崇敬，記載下所見所聞，論述繪畫技法研究。（二）虛幻系列～聚焦在意象的創作。透過數位影像裝置與photoshop的軟體分解、重構，實驗性呈現主觀意識中客觀的景象，以意象畫面，傳達內心對世界的依戀與省思，期許與批判，來觀察「社會」產生的現象。繪畫的自由，讓人逍遙自在，穿梭真實與虛幻之間，試圖探索奇譎之美，呈現新的視覺美感。After many years of practicing landscape painting, I attempted many forms of expression styles and entered my dream institute—Institute of Fine Arts of National Taiwan Normal University. I wanted to try different themes and different media to express my surging inner emotions, pursue the freedom of painting form, explore any new aesthetic impressions of the picture, and turn myself into the Kun fish or Peng bird described in Zhuangzi’s Roaming with Ease 〈莊子逍遙遊〉, where thoughts take off and soar across the world. My painting world suddenly became free. Whether it was the light corridor of the bustling metropolis or the simple nature on the top of the mountain and near the seashore, I began to record my wandering state and footprints through painting and integrated my reflections on life in my heart.In this article, I discussed and reviewed various pieces of literature on contemporary art movements and carried out some activities involving personal creative practice, thinking context, and learning process. The main text is divided into two series:(1) Realist Series - the scenery presented in a visual imageUsing the concrete realism method, I created a series of tourism sketching works, which depicted love and respect for nature, recorded what I saw and heard, and discussed research regarding painting techniques.(2) Unrealist series - focuses on the creation of imagesWith the aid of the digital imaging device and Photoshop software, I experimentally present an objective scene in the subjective consciousness by carrying out decomposition and reconstruction to convey an inner attachment to and reflection on the world, expectation, and criticism and to observe the phenomenon of “society.”The freedom of painting allows people to be carefree while shuttling between reality and unreality and to attempt to explore the strange beauty and present a new visual aesthetics.視象意象數位影像真實虛幻逍遙遊visualismimagismdigital imagerealityillusionfree and easy wandering